River

(For Noadiah, whose wisdom is gold)

Been traveling these wide roads for so long
My heart's been far from you
Ten-thousand miles gone

Oh, I wanna come near and give ya
Every part of me
But there's blood on my hands
And my lips aren't clean

In my darkness I remember
Momma's words reoccur to me
"Surrender to the good Lord
And he'll wipe your slate clean"

Take me to your river
I wanna go
Oh, go on
Take me to your river
I wanna know  --River, Leon Bridges.

Lines across the page, pen and paint dipping back and forth to ferry color in bits, I sat letting my mind wander through so many things while listening to Leon Bridges' song River on repeat. It's been a grey day full of that thrust that wants to keep things moving forward, reaching, but the tug of the grey is strong and the deep soul of this song will not let my mind rest. I've been thinking about the river all day, about friends who will observe Yom Kippur tomorrow, about the cleansing and healing power of gathering up shame and guilt and attendant sadness and casting it upon the water so it can fan out and away. Tonight over dinner, friends and I were talking about the ritual of bread taking in the quality of those emotions and, in turn, nourishing the aquatic life beneath, the movement of that energy from harmful to nutritive. There is a surrender to the water, be it nightly as I shower or sitting beside the ocean listening to her crash and call. My nightly showering ritual started in a ramshackle college dorm in Rome, Italy where I was living for the summer, two short months after Hunter died. My grief was unmanageable and unmooring, stuffed down by copious wine and a distancing from myself that had gone into overdrive with my dad's death four years before. Nightly showering was a way to strip off the day before I crawled into the twin bed in my lonely room and let tears stream into my ears while I stared at the ceiling. So many years later and in the weeks before I got married, I stood on the shore of Whidby Island and held hands with my girlfriends as they all wished their peace for me before I threw myself into the water of the Sound. I wanted that water to wash me anew, a clearing between what was and what would be. Tonight in the shower I was thinking how beautiful it would feel to be baptized now, at this age, not so much into the realm of the church, but into the light of joy. To receive the intention, to be held and plunged back, to come up for air in the shattered sunlight, cleansed. There is something I crave about that feeling. Perhaps it's surrender. My chest draws toward it. My heart has a need.

Listening to Leon Bridges reminds me that we are most resistant to coming to peace when we feel our most unworthy, when we have blood on our hands and our lips aren't clean. We want to put the pain down, to let the sins and feelings flow away but we feel too broken to ask. And this is precisely why these rituals exist, to allow us to release the shame and the shit and the static that keeps us from one another and from moving forward in our lives. My friend Noadiah told me that his beloved minister once said "Prayers aren't being answered? Well, who are you still mad at?" When he said this, a face lept to my mind as clear as day, boom. There are others, but this is the mad that is sticking the Universe in a loop for me. And it's my own atonement to do, not because I have wronged this person, but because I have wronged myself in holding on to so much anger. 

It's humbling and messy and I'm making my list of things I want to think through as I walk to sit by the water and be present to this idea of giving some of this a rest.

Join me.

Start somewhere, even today

For Paul, because I'm still learning (with so much thanks).
************************************************************************

This morning as I bent my head down to kiss Ava's forehead to wake her, I whispered "Hello, my beautiful girl. How did Mama get such a beautiful girl to call her own?" Ava's eyes fluttered awake and as I came into focus, she smiled and said "It's because you're beautiful, Mama. Where did you think the genes came from?"

"Oh, sweet girl," I said, "Mama is..." and stopped, hearing in my mind what I was going to say next.

What was I going to say next?

I was going to say something to deflect the compliment. I was going to say anything that would deflect what she had just said. "Mama is...old? smarter than she is pretty? not beautiful?"

Instead, I smiled at her and said "Mama is so thankful for that compliment, bug. I love hearing that you think I am beautiful, it means so much to me that you tell me things that you appreciate about me." Because here is this fantastic, powerful, beautiful, creative, light-filled 10 year old who doesn't get that it's not ok to think that you are beautiful, that acknowledging physical beauty is fraught and full of connotations. And, at the very end of the day, she hears time and again that we look so much alike. Who is lying, then, if I deny her compliment, her or me?

I struggle with this question of beauty, the inclination for my girl to watch herself dancing in the mirror, the tossing of the mane of hair, the emphasis on her looks. She's confident across the board: smart brain, kind personality, giving heart, beautiful face. But there is this narrow line of humility that needs to run the border between confidence and arrogance that I feel as a parent I need to enforce, lest this get out of hand. Or is there? Perhaps it's just all my own conditioning now brought to roost in my shaping of this bright soul's opinion about herself. What am I supposed to do?

Years ago, a friend told me about an experience she had with two trusted and lovely friends. My friend is a smart, beautiful, clever, funny, hardworking and talented woman. At this stage in her life, she was already professionally successful in her mid-twenties, working hard and being recognized for the great things she brought to the table. If memory serves me, her friends were running a workshop about messages that women receive about themselves and wanted to work through an exercise where they each made a list of loving truths they believed about my friend. They then sat on either side of her and whispered these loving truths in each ear, one at a time. I think she told me that she made it through maybe 5 rounds before she could no longer stand the urge to reach up and shield her ears, finally asking them to stop, tears streaming down her face.

Maybe it was because we were in our mid-20s, but I sat nodding at her reaction, my skin prickling at the discomfort.

The truth is that I think women want nothing more to than to be truly seen by the people we love and who love us. We want to that inner light to rush to our eyes because we are able to be vulnerable. We want to feel that warm comfort of trust. We want to be beautiful, not only in the manifestation of someone digging our physical form (in whatever form that may be), but beautiful in the most all-encompassing way: heart, mind, soul and personality. Stop a woman on the street and pay her a compliment and watch the smile radiate from her face. These safe, single-serve intersections put a lift in anyone's stride that lasts hours. But go deep with a friend about how much you love and appreciate her, how you love how she walks in the world, how you think she's physically beautiful and watch her squirm or, typically, deny.

It seems the only way around this is exposure therapy: the relentless and targeted exposure of authentically admiring the beauty in the women we love. It's a text to your friend highlighting something that you admire. It's a phone call where you say, with your words, that you find something about her beautiful ("cute" has no space in this exercise...puppies and kittens are cute). It's the letter you write to tell her why you think her being on this earth matters to you, why her relationship with you matters or is important. And then there is the conversation over drinks, looking into her eyes (friend to friend, lover to lover, mother to daughter, etc), where you get to say these things and react to one another in a physical way.

Exposure to her own goodness, in varying degrees of intimacy, from someone she loves.

I had this sort of experience with a friend years ago, at a time in my life where I felt lost, alone, and less of myself than I had been in years. This friend made it his job to show me to myself, to bring me back to an understanding of what I could mean to people, to boost me back up on the path. This is his gift, a source of encouragement for many people I know. I also know he saved my life in many ways by this simple gift of sharing with me the bright light he saw in me.

So who is that 10 year old inside of you that all too quickly learned to stop trusting her belief in her own beauty? And how can you love and encourage that confident 10 year old in others? Because we all love the love, even if it's at different levels and with different layers of security keeping us safe. But it's good to start somewhere, even today.

The Theory of Everything (on a rutted road)

*not sure if the above pic is of Oklahoma, but man it looks like it.

The dirt in our neck of Oklahoma is thick and orangerust colored, beautiful for growing wheat but hell on wheels when it rains more than the ground can absorb. I have felt this, firsthand more than a few times, but most notably when Hunter and I went out for a "drive" (a.k.a. my 14 year old boarding school self sneaking off to smoke) only to get stuck up to the running boards of my 1968 beetle. Elbow-deep in that clay-shale mud, dragging armfuls of sticky paste away from the wheels and laying down wheat hay for traction, we were able to get that little car out of the ruts and back up onto the middle drier ground so we could creep our way home.

The ruts in Oklahoma rainy season are no joke, deep and jagged, the earth peels away in thick sheets and tire tracks push so deep that you worry about damaging the undercarriage of your car. You have two choices: to be in the ruts, go slowly, grind out the undercarriage and risk getting stuck or to find a way to flip your car up onto a space where you straddle the middle ground with one wheel while bouncing along the warshboard (yep, warshboard) side on the edge of the road with the other. One requires you to risk long term damage and breakdown, the other requires you to attend to what you are doing with laser attention, as falling back down into the ruts could cause damage worse than originally expected.

I first thought of this analogy when I was talking to a friend about behavior change in long term relationships, how it's so hard to change things when what you know is the rutted road, especially when you aren't sure if the road is going to change or get better or if this is it, turtles all the way down. It also applies to conditions in life that have locked you into patterns and beliefs and ways of being. "I'll just wait until the kids are out of high school to engage with the life I want to live" or "It's good some of the time, so until it gets really bad, I don't want to change ...(my job, my relationship, my habits)."

And so you keep going and going and going until one day you realize where you are, stuck in this wounding condition, and you can no longer bear it--the noise of the scraping and the tension of your arms having to hold the wheel straight. In essence, what you are doing to your very soul to stay locked in the pattern that is ultimately not where you need to be.

So you look for those few-and-far-between patches where the rut weaves and jags so you can work your wheels up onto the higher ground. And that getting up on the higher ground is not only difficult, but also in itself exhausting and unstable and new and naked. The ruts are easier to navigate but a painful destruction of your tender unexposed side, the higher ground scarier but ultimately probably better for long-term sustainability--the reality is that you just. don't. know. The truth is that sometimes you are in it and you don't want to be, but getting out of the car and into the thick muck on foot is not an option, you just have to ride it until it's done, wherever that leaves you.

I sat across from my dear girl Lara the other night laying out this Theory of Everything (on a rutted road), each of us feeling it in our hearts for the painful relationships we've been through, realizing also that this is just part of the human condition of change in life overall, from losing our mothers to thinking about our best selves and those parts of ourselves still waiting to be born. And we are still learning, and choosing, all of us.

Aloft

For a long time I have had a recurring scene pass in front of my eyes, a flickering black and white clip of a man with artificial wings affixed to his arms, running dead set for the edge of a cliff. He runs, flapping like hell, only to pull up short just feet from the edge, not trusting his homemade contraption to hold him against gravity.
He is Icarus, Daedalus' son, anxious against the bright sunlight, worried about his own weight on the wings, worried moreso about his undescribed and hidden desire to fly to the highest heights with abandon.  What that will mean and what that will make, his desire to fly is thwarted by last minute doubt and worry.

But tonight, Joseph Campbell's recording of ancient wisdom rang true:
“A bit of advice
given to a young Native American
at the time of his initiation:
'As you go the way of life,
you will see a great chasm.
Jump.
It is not as wide as you think.' "
--from A Joseph Campbell Companion: Reflections on the Art of Living

Today I bought a house, cementing my decision to move to a city long considered a future home, under different conditions and for different reasons, but an idea set in motion long ago. And I'm here, now, and happy and excited, this bittersweet taste in my mouth not crowding out my delight at new discoveries, but also not salving pretty profound feelings of loss and change.

It's like coming back to something and knowing it for the first time, like T.S. Eliot talked about, but not really. It's holding the space of what was with the space of what might be. It's being unsure about how to marry what has already happened (the people you love(d), things you've experience(d)) with an unchartered course.

My girl, Bridget (who is truly a gifted spiritual advisor) noted that this is a time to accept & be, explaining that if things could be different, they would be. And so I move forward, buying a house on a familiar street under radically different circumstances, celebrating a new life in environments that hold many memories, stitching together what is new and old without being totally clear on the design that will unfold. More crazy quilt than the careful block pattern that has governed the stitching of my life for so many years. Stepping into it, breath deep in my lungs, stomach tight, arms strengthened and ready to hold these heavy wings aloft, trusting in my own ingenuity, ready to take flight. 

Light as air, it's not as wide as you think.

Eye trained on the sky

As part of the writing workshop with Cheryl Strayed (right?!), she offered us a series of prompts to consider. Here's one...

Create a summary of who you are.

There was Leo and Cygnus and Cassiopiea. And Draco and Virgo and Libra. But most of all I remember turning my face to the heavens and finding the points that made the handle and cup of Ursa Major. Alkaid, Mizar, Alcor, Alioth, Megrez, Phecda, Merak and Dubhe, names I didn’t know then, flat on my back, my skinny brown legs held fast against the earth in my 7th year.  

The sky over my hometown was always lit with stars, as far as you could see, the light pollution of larger cities far away. To my untrained eye and not scientific mind, the nighttime sky was a blur, an ocean of light, awash, save for the handle and cup, the only way I could get my bearings in the canopy of the world. 

And 7 turned into 17, my world increasingly complex. I was a failing high school student, newly fatherless, with sexual agency beyond my years, drunk on new freedom, coors light beer and the possibility contained in a thick course catalog from my newly matriculated university that I read like a bible. The stars were dimmed by the Dallas lights but vibrant on the road between Dallas and San Antonio where Sha and I steered her big gold cadillac into the night. Or Dallas to Houston. Or Dallas to Austin, fueled by our own sense of finding ourselves.

Those years felt ungrounded, unfixed, too much and too big. Unmoored, unskilled at navigating the map without an understanding of where I needed to go, 17 became 21 became 25 became 31, with mountaintops and oceans and foreign lands and jobs and wandering, so much wandering, in between. 

I did not fully know then, as I am just beginning to learn now in my 44th year, that I am capable of making sense of the stars, of orienting myself within the blur, of understanding the anchors in the sea of light. That in the universe of stars, and in the universe of life, it’s less about a roadmap and more about points of bearing. For a person who has sought the map, who has felt (and currently brutally feels) that the road is being made right before her feet, this is a revelation. Maybe it’s about integration instead of a specific direction. Maybe it’s about weaving the body, the mind and the mojo, understanding the landscape of possibility instead of a fixed horizon. Maybe the point of exploring is to understand where you are at any given point in time, but not be tethered by a specific path. Look at how well the explorers did when they thought they knew the way, but look at how they successfully navigated a way home by casting their eyes heavenward, trusting their bearings written in the night sky.

That's it, every day.

I sit here at my computer and 10 feet away he sits with his guitar across his knees, seated on a zigzagged ottoman that accentuates how much he's grown in the past few years. He's knees and elbows and huge brown eyes and a gorgeous smile. As we were leaving the orthodontist's office today, I kept telling him how weird it was when he turned 6, when he went into first grade, that first grade was the first shred of proof for me that he was going to grow into a young man. "And, today here we are, amore," I said over my shoulder with a smile. "Today and you are a middle schooler and we are on to braces." He smiled his gorgeous sweet smile and leaned forward and put his hand on my shoulder, which would have been his head if the distance of the seats had not been such.

This boy is a favorite teddy bear wrapped in an enigma. He's honest and disclosive in one minute, difficult to gauge the next. He prefers, almost any day, to recline right on top of you in the cold Fall wind. He hasn't figured out that that's uncool. He's just starting to sense what is uncool. I don't know when he's going to grow into that uncool thing and I alternately feel like I haven't done enough to middle school him up and thankful for the buying of time that his sweet nature has given us.

He converses easily with adults. He's building his own style of humor that he tries on with his sister, dad and me at every turn. He loves a turn of phrase or a double entendre. There is no bad fart joke. He cracks up when he talks about butts. To match that, I showed him Sir Mix-A-Lot's "Baby Got Back" and he spent most of the next day commenting on the fruit, and less on the back, or being a little "uhhhhhh, that was weird" regarding the ardent appreciation of the female form through Sir Mix-A-Lot's voluptious stylings. I think the giant buttcrack was perhaps the biggest hit. So it goes at this age, I've kept reminding myself. So it goes.

This is the kid that still likes me to tuck him in at bedtime, who is happiest when he can reach across and touch your hand. He is tactile and yummy and stinky and kind. When I found out I was having a boy, I thought "Good, I know nothing about what it's like to be a boy. I can see him for himself, in all of his dimensions, without clouding my

[Ok, so he just walked over as I was typing this, gave me an enormous, lingering hug]

without clouding my view with all of my own stuff." And that's it, every day. He's still a mystery to me in so many ways, such a beautiful thing to unwrap, like sitting waiting quietly for the birds to come out. They come and you get to see beautiful things, but sometimes it's just the stillness that brings them, the moment of breathing with whatever is there. Or, the time that those same creatures catch you unawares, explode into view, fill you with delight and catch your heart with laughter. That's what D is like. He's deep and sweet and hilarious.  He is golden. I love him so.

This one.

[I wrote this piece ages upon ages ago when I was really struggling with how to be a good mom, how to be present and attentive and there but still be here, with myself, in my own being. It felt right to post tonight].

She is my girl, this one.

This girl is all lanky limbs and big brown eyes and a witty retort or an observant question. When she wraps her arms around my waist, I can feel her little bird heart beating double time against me.

She's got her eye on everything, she cackles with laughter one minute and pulls the saddest face ever the next. Being with her cracks my heart right open with love. I fear for things that will hurt her, moments when she will bump up against sadness or loneliness or hurtful words dished out by mean women who take delight in pummeling her tender and precious heart.

I carry a lot for this girl.

It's an intense thing to be the mother of a daughter, here in this space of being a motherless daughter myself. I remind myself that everything she sees gets imprinted. I remind myself that I don't have to be a perfect mother, but one that she can rely on. I remind myself that the most important things I can give her are love, proof that I have her back, willingness to sit and talk and work things out, insight into the myriad of things coming her way. I remind myself to tell her that she's dynamite, because she is and nobody needs to hear that more than a small girl.

There is a little part of me that wants to run away from this responsibility. I'm not sure if it's the fear of disappointing her or screwing up or not being the woman that she needs me to be. I'm not sure if it's the desire to balance my one precious life with hers, to give her a legacy of a mother who didn't have to follow the conventional path of sustained sacrifice but found a middle ground.  I don't live the life my mother led, so how do I know how to do this and do it well?

Her small back curved to my side tonight as we read a book, talked and mostly just sat in each other's company. Little spine, hair a tangle down her back, eyes flashing. My heart is so full with love.

Each for what they are

“Sometimes you meet someone, and it’s so clear that the two of you, on some level belong together. As lovers, or as friends, or as family, or as something entirely different. You just work, whether you understand one another or you’re in love or you’re partners in crime. You meet these people throughout your life, out of nowhere, under the strangest circumstances, and they help you feel alive. I don’t know if that makes me believe in coincidence, or fate, or sheer blind luck, but it definitely makes me believe in something.”— unknown


I have a fool's understanding of the beginning of the Universe, my untutored lens on the nature of its existence peppered with romantic ideas about particles and their attraction. But I love my ignorance, as it allows me to believe what I believe to be the electricity of deep connection, particles from the beginning of time reconnecting, people finding in another something elemental, fundamental, paired, true. It's a coming together of things long ago separated. It's attraction that is undeniable, electrifying and real. 

There is little in the world that matches the feeling of finding belonging in another, and little that matches the exhilaration of allowing yourself to open up to make that connection of deep friendship. This, for me, has happened with only a handful of people in my life and, as my life has progressed, I've grown less available to that possibility. I've been less willing to put myself out there, more afraid of investigating a connection to a new friend that may not fit and to have to back away, awkwardly, from relationships that aren't meant to be. There is a fitting to intimate friendships, as if your heart is made more whole upon connection and diminished in multiples upon loss. If you let it, the losses cause your heart to calcify; to look with a prejudiced eye at the attempts of others; to resist your own awesomely joyful and open nature; to tamp it down, lock it up, seal it off.

But the truth is that they are there, these connections well-worn and those not yet hatched, even if you try to keep yourself from them. Sometimes they last a lifetime or two, sometimes they intuit when you need them, sometimes they are moments in your life stitched together just for the moments that they are. You leave the ones that don't work out behind and relish the ones that stay. You chip away at the calcification and warm up the veins. You recognize each for what they are and for what they bring to your life. And you are grateful.

And in and out of weeks and through a day

For my friend Lara Turchinsky, with whom I have sailed vast oceans. Thanks, my friend.

*****************************************************************************

“And [he] sailed back over a year
and in and out of weeks
and through a day 
and into the night of his very own room
where he found his supper waiting for him
and it was still hot” 
― Maurice Sendak, Where the Wild Things Are

My mother used to remark that every time she sat down in a movie theater, she would fall asleep. These were in the post-Dad-dying days where her burdens were heavy and, I suspect, nights restless. We would load into the car during that hot Oklahoma summer and in the cool dark of the theater she'd drift off until one of us would gently nudge her as it was time to go.

In the darkness of the music auditorium I have a similar experience. Away from handheld devices and computers diverting my attention,  from conversations and questions and things needing to be done, I let my mind drift and wander. I visualize my life in snapshots and pictures. I let the music seep in and replenish the dry landscape of my harried mind and heart. Within this space, I have learned to let go.

Tonight I spent a good long while with a blue-period painting projected on my mind. Eyes upon the back of a woman sitting in a small boat, the water is flat, the sky and the sea enjoined in one monotone color. An arial view shows no land. There is no wind for the sail. There is no obvious way north, south, east or west; no clear direction and nothing propelling the boat forward.

It's not a frightening scene. Just dead quiet glassy water, humidity so thick you can feel it in your throat, close. It's a scene that is wistful for a cool breeze and for the clouds to part. It's waiting. It's not knowing how to get moving or which direction to go. It's not knowing what land will look like when you hit it. It's not being afraid of what you will find but confused about how you will get there. It is being alone in a vast sea, and either waiting for someone to come and tow you in or figuring out how to do it yourself. It's a lot different than being a leaf on the stream.

This is what my life feels like now. I can blame it on cancer and its aftermath. I can blame it on the stress and pressure from every side I feel so acutely that it pools upon my skin in bumps. I can blame it on loss and distrust and the feeling of being alone in the world. But the reality is that no matter the cause, it is a long journey of sailing back over these years that will take me to the place that I can call home.

Set Me Free

Lisa's iPhone was on shuffle as we started the road trip back home, first Emmylou's voice ringing out sorrowful and true, then Jim Croce, then Tracy Chapman. Each song a well-worn groove in both of our minds, tracing back to Mom, to Dad, to Hunter, to Grandma, opening a space to reconnect to our stories, to process our losses, to make sense of the lives we have been given and to look forward to the futures we are writing individually and collectively. We had been together for a week of family camp where she wrangled her two small people through activities, the dining hall and the sandy walk from the cabin to everywhere. She was, in her usual way, calm, composed, organized and stellar.

When I think of spending time with my sister, an image pops to my mind of her swimming towards me, pushing a small blue raft while I tread in an ocean of water. She's talking to me as she approaches, acknowledging how tired I am but encouraging me to hold on, to keep my head up, to alternate using my legs then my arms so that I have strength to last longer. We lean our shoulders and arms onto the raft that she's brought, letting our bodies float and release in the shared time...stable, cool, relaxed. And then it's time for her to go again, and as she swims away the raft becomes smaller, but big enough so that I can tread, then lean back and float, tread, then lean back and float, tread, then lean back and float on my own with what she has given me.

This is the essence of my sister: pushing the raft out, tired herself but speaking words of encouragement, a song in her heart for the journey back, swimming, swimming, varying her strong strokes to make progress against the sometimes tremendous waves. Watching her move makes me want to be a better swimmer, to take pleasure in the cool water even though its rough. To meet the challenge but not be consumed by it. To have grace moving through the water.

I love you, Lou.

When the stars fall from the sky

Miles and miles sped beneath the wheels of the Intourist bus that endlessly ferried us through cities, countryside and towns of the Soviet Union's former republics. U2's The Joshua Tree was on repeat on my Discman, me being all of 16 years old and out of the country for the first time in my life. Cities and towns, cities and towns, aging mosques, strident Soviet monuments, Stalin's grave, Lenin's tomb...they all clicked like snapshots as the miles mounted. In one country, so many faces, diverse and unique and representing the beautiful ethnic communities that co-existed, barely, in this complex space. People were eager to speak with us, to learn about our country, to know what life was like outside of what they knew. I remember the students from Moscow University that accompanied us for part of the trip and a boy named Denis that my friend Annie drew out in the most amazing way, in the shortest period of time.

This was the trip where I understood my smallness in the bigness of the world. Looking out of the bus window into cities crowded with people, I was overwhelmed by the idea that behind each set of eyes sat a story, a history, family, loves, desires and dreams. That within each person lay a map of experiences and feelings to be plumbed, explored and investigated. These moments gave me a tightness in my chest that I to this day cannot explain, that somewhere in the smooth flow of the music running through my body I felt alive and connected to the multitudes of people carrying on their own individual lives in that moment.

This feeling has stayed with me for as many years, the feeling of being small in a big world, the feeling of being connected to people through the recognition of their own uniqueness. I think the tightness in my chest was as much about knowing the vastness of the world as the opportunity to connect with people on so many levels, all the while knowing you'll never connect with all the people your being desires to meet.

I sat in a bar with a friend of a friend last night, immediately taken with her bright eyes and engaging personality. Earlier this week I had lunch with a (soon-to-be former) co-worker/friend who I've known just a year but feel incredibly connected to. I've been drawn in by people I work with, people I live with, people I don't know and will never see again just talking between tables at a coffee shop or sitting on a plane. I've had my life change course in moments in bars in Guatemala and mountain tops in Colorado and leadership training weekends in Australia. There are things that pass between people when the heart space is open, beautiful and intense things that may last but for moment but stay in your memory for years the vibe is so present. It's the openness to this experience that brings beauty to this world, even if it is sharing something as simple a smile through the window of a bus passing through Red Square.