They Gather Their Courage and They Give It a Try

You can’t buy a simple pad of paper in the New Orleans airport. Paper as it exists here is either the kind of list pad that has “hot & spicy!” or “Jazz!” written at the top, or comes in the form of a lined journal with biblical quotes at the bottom of every page. So I’m destined to write this post with my thumbs. Maybe God is telling me I should have gone with the journal.

Another door closes today as my treatment in New Orleans comes to a end with the embellishment done by a guy named Vinnie from Baltimore who has a penchant for beautifully made hats. We talked about home tattooing and PCP trips and stories about his youth as he tattooed my tits. Tittats. Tittats™ could be a great marketing schtick except that Vinnie is known as the Michelangelo of areola tattoos and needs no marketing help. Vinnie, who is incredibly cool and lovely to talk to, is flying to Memphis to check out a hat store tomorrow. Tittat™ business is good when you are talented. Thank God for the likes of Vinnie. Maybe there is a bible verse for that in one of those little lined journals.

I’m feeling all sorts of sassy and consternated here in New Orleans, gathering all of my memories to tally them up and close them out in a last-chapter roll finale my experience here. It’s humorous that I went from flashing my tits in this fair city to getting flash-worthy tits in this fair city. That’s something I’ll put in the thank-you note to Vinnie who tells PCP stories but not likely to my drs who might find my tit-talk a little off-putting, a tidbit I gleaned not only from their demeanor but also from the Romans 5:1-5 quote in my parting gift. And so it rolls.

There are things that wrap with this trip. Now the next four years stretches out before me as I am done fiddling with things. I have to put all of this fiddling aside and live in the present because being in the space of still having medical things to distract me is over. I have to dig in and realign where I am. I have to settle into the reality of now. On the way back to the airport today, I listened to my cab driver speak about his life. He poured out his story, this man, about his daughter who had cancer, about his wife who was depressed for losing her mother a year ago, about the spot they found on his lung that he’s not sure what it is. And all the while he holds out hope, this man who had lost his restaurant to the hurricane and who was driving a cab even though he was proud to mention that he had a college education. This man who came from Iran and was delighted to tell me that the Persians prefer butter to olive oil in their cooking. He told me about Jesus and hope and his confidence that I would be fine. “Eat oregano and garlic and onions!” he said. “I believe you will be well!” he shouted as he craned his neck out the window. “And Jesus! Don’t forget Jesus!”

I’m eating blueberry granola on the plane and wondering if there is really gin in my G&T. I’m winging my way back to Michigan, leaving all of this behind. I’m flying without net. I’m flying onto what is next. I’m flying.

What is Your Space Jam?

(for my lovely friend Nicole, who gets and gathers precious things, for whom I am so grateful on the cusp of a very special birthday)

I had a totally different post geared up for today, a whiny little post that whinged about being allergic to the dermabond used in my surgery (I am) and how medical issues make you feel like Sisyphus moving the rock up the hill (they do) and how there is something that feels really, really good about indulging in grousing (it does).

Weeks (months, years) have passed that have left me feeling unmoored, conflicted, vibrant in my skin yet uncomfortable in my skin. Simultaneously glittery and scattered, the glittery overriding the scattered until the scattered snuck in and grouted glittery's floor with stickiness. I've recognized the looming presence of things not dealt with and fought against things I haven't wanted to put aside. Treading water in this space has meant one thing to me: giving up one thing I love and appreciate for another.

I have a number of friends who are in this space at exactly this same time, this washy nebula of options and decisions and meaning making. We are all moving through the deciphering of importance and juggle, how to create something in our lives that compels us, makes a difference, brings us joy, lights up our brains with crazy chemicals, flutters our stomachs, makes us want to lean. in. hard.

And then I finally watched this video that has been floating around on the facebook. I don't know why I didn't watch it before and I don't know why I watched it today. All I know is that the arrow hit just the sweet spot in my heart and it all opened up. I have to make decisions to do something awesome. Yes, I have one wild and precious life. Too short to waste on things that are boring and easy.

Life is not dull, people.

What if there really were two paths?

I'd want to be on the one that leads to awesome.

just to let it go

Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook.
Not the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication.
Not the lover you left quivering in a hotel parking lot,
the one you beat to the punchline, the door, or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don’t regret those.
Not the nights you called god names and cursed
your mother, sunk like a dog in the livingroom couch,
chewing your nails and crushed by loneliness.
You were meant to inhale those smoky nights
over a bottle of flat beer, to sweep stuck onion rings
across the dirty restaurant floor, to wear the frayed
coat with its loose buttons, its pockets full of struck matches.
You’ve walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
You’ve traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation. Relax. Don’t bother remembering any of it.
Let’s stop here, under the lit sign
on the corner, and watch all the people walk by.
- Dorianne Laux “Antilamentation,”


The dusty boxes are still sitting in the bottom of my closet back home in Oklahoma, my meager pilfering through them surfacing so many emotions that I felt like I needed to stop, to breathe, to reframe my thinking before I carried on.

A text sent to my friend said it all:
"Sorting through all of my childhood to pre-Portland life. Kind of intense to realize what a depressed and fcked up young adult I was, even if people didn't see it on the outside. Crazy."

and

"It's really weird to struggle with the idea that there was a lot of lost time in my life. Time I will never get back and time I may not have in the future."

So today when the poem above from Dorianne Laux came through my feed, something hardened from long ago became soft inside of me.

You’ve traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation.





Every year I spend the days before Yom Kippur reflecting on the past year (no, I'm not Jewish but I borrow this tradition). Thinking through the things that made me happy, thinking through the things I regretted or that made me sad or wistful, thinking of things I want to do in the next year, who I love, who I want to spend time with, how I want to challenge my mind and life to do good things. It's a important time to write things down, to take stock, to see where I am going.

Sitting with these feelings this in-and-post cancer year has brought in the added layer of "time". Time I have wasted, things I have done, situations I have been in during my life that were neither healthy nor happy. And the great sadness of looking forward and thinking about time and not having it and how horrible that would be.

{And then reading that Susan Sontag was diagnosed with Stage 4 metastatic breast cancer in 1975 and lived until 2004. So go figure.}

What softened inside of me was the realization that life is too short to dwell in what happened in the past, to rehash the things you wished had happened in relationships, to question decisions that led to different paths than the future I had seen for myself. Even for a person like me who has struggled with the depressive tendency toward rumination over such things [the twisting of invisible hands and the sighing of invisible sighs that leaves you sitting in a rut you can barely peer out of], there is the possibility to not revisit this, not to drag it with me, just to let it go.

Relax. Don’t bother remembering any of it.
Let’s stop here, under the lit sign
on the corner, and watch all the people walk by. 

Amen.

Janus, forward and back

Arm looped through mine, small head resting on my shoulder, David and I sat together in the van as it threaded our way back through fields, past round bales of hay and into the evening sun. We had spent the day exploring Nick's grandfather's home village, Ogliastro Cliente, perched on the side of a valley with olive, orange and fig trees that ran like a river to the sea. David had chosen to study Grandpa Tony for his "migration" project at school, winding through Grandpa's journey to the US, his loss of family and a home he loved for the promise of a new life. And now we were part of that repatriation, the need that Americans sometimes have to understand themselves in the context of their ancestry, their history, their DNA.

Through a series of strange and synergistic events that can only be described as "Italian" and typical Giardino luck, we found Grandpa's boyhood home, left to waste away in what only can be described as ruins. It was all there: the chapel, the courtyard, the fig trees out back that skinny Antonio Giardino used to shimmy up for the delicious fruit. Broken down, paint peeling off the walls, birds aloft in the open spaces where Grandpa's family once lived, we were simultaneously enlivened and saddened by what we had discovered.

Something in me wanted to touch the walls, to absorb something inherent that lived there so long ago. Although I loved Grandpa like my own grandfather, these were not my people nor was this my place, but the urge to connect, to let that history leech into my own palms felt very real.

The heartbreak of finding something so broken, so ruined mirrors my own ruminations about time and place, what stays, what you leave behind. In a few days I return home to Oklahoma to help clean out my childhood home and prepare it for sale. My feelings of dread about this are indescribable, not only for the deep feeling that it gives me of being unmoored, parentless and ungrounded, but also for the worry of being weighed down and encumbered with an emotional and physical heft that I resist leaving behind, but am at my core yearning to cast off. Being parentless means having no home to return to, it means making your own way in whatever way your life brings you. It means preparing yourself to be outward bound, stocked and ready for the journey and for whatever lies ahead, on your own without the safety net of a parent to pick you up and dust you off. But it also brings you the sweetness of being captain of your own ship, unconstrained by familial expectation and guilt. Defining who you are in this space is a tricky process, one that for the most part you must walk alone until you know who you are, what you take with you, what you leave and what life you make for yourself.

I'm reminded of reading Thomas Wolfe so many years ago, before I was old enough to parse what Wolfe was trying to say:

“The human mind is a fearful instrument of adaptation, and in nothing is this more clearly shown than in its mysterious powers of resilience, self-protection, and self-healing. Unless an event completely shatters the order of one's life, the mind, if it has youth and health and time enough, accepts the inevitable and gets itself ready for the next happening like a grimly dutiful American tourist who, on arriving at a new town, looks around him, takes his bearings, and says, "Well, where do I go from here?”
― Thomas Wolfe, You Can't Go Home Again

Beginnings, endings, looking back and forward like Janus standing in the middle ground.