Into the Waves

White Water was a huge water park in Oklahoma City, a place where legions of children, dressed in all manner of swim and floating gear, and adults, tugging large coolers of processed food and Capri Sun, would convene to escape the boiling summer heat. Our family would make the 40 mile trek to OKC to spend hours running wild, season passes clutched in hand, so exhausted by the end of the day that my mother would have the sweet relief of a carful of sleeping children on the ride home.

White Water had all of the features of a regular water park: the lazy river, the stories-high White Lightening slide, the kiosks where you could get sizzling hot french fries that rested salty against your chlorine-soaked tongue. But the strangest and sometimes most wonderful part of the park was the wave pool. It was enormous, hundreds of people packed into it's football-field like expanse just waiting, waiting. Suddenly the bell would ring, a scream would erupt from the crowd and the water would start moving, great undulations of waves roiling from deep within its man-made ocean.

I've been thinking about the wave pool lately as it applies to life, this wave pool in particular because unlike the ocean, there was a certain rhythm to the waves. You could sit atop of your raft and ride, or stand closer to shore and slam your body, back turned, against them. And there was that middle ground where you weren't quite tall enough to touch the bottom without the waves washing over your head. This was the thrilling, sometimes terrifying space, that space in between feeling solid and feeling the rush of danger. And, depending on the day, depending on how crowded the wave pool was, depending on the strength of your skinny legs to buoy you up, you sat on the edge of being plowed under or keeping your head above water. The rhythm of the waves had not changed, neither had your expectation of them being there, but the circumstances and your place in them became the variables of remaining above or being sucked below.

I've held this metaphor in my mind a lot lately, as friends have struggled with some pretty deep loss and sadness over the past year, as I myself negotiate my own place in the world, as we as a community lean in to lift one another up when we aren't feeling so strong. I think sometimes it's awkward to ask for help, that metaphor of being in a situation where you know that the waves are coming, but you just don't have the strength in the moment to kick yourself above them, or where how hard and disorienting it may be when everyone else seems to sit atop the water on their own raft while you can barely keep your head clearing the water's roiling plane. And, to extend the metaphor, the folks sitting atop the rafts likely don't even know you are struggling, because their gaze is shifted outwards toward the horizon, their perspective raised above what is happening below. But there is room on the raft for two, maybe three even. I know this, and I know the hospitality of that space if I just ask. Why is it sometimes so hard to do so?

I want to keep working with the raft metaphor, or to talk about the strength of pushing off of the bottom and riding the wave, that powerful feeling of not so much the wave striking your body, but the ride of catching it as it comes and not being swept under by it. To push up and engage, the timing of it coming and you being ready, the sheer thrill of knowing that something can drag you under but using your energy, your life force, to meet it and unify, to roll into it and wait for the next one.

Because the truth is that the waves stop until they start again, and they do start again because life is not static and change happens and shit happens and hard things happen all the time. But the key is this: you are not alone in the pool, although you feel that you may be, and your position in the pool is based on your own negotiation. That's the thing I need to remember most. I choose how I work with the waves.

That's it, every day.

I sit here at my computer and 10 feet away he sits with his guitar across his knees, seated on a zigzagged ottoman that accentuates how much he's grown in the past few years. He's knees and elbows and huge brown eyes and a gorgeous smile. As we were leaving the orthodontist's office today, I kept telling him how weird it was when he turned 6, when he went into first grade, that first grade was the first shred of proof for me that he was going to grow into a young man. "And, today here we are, amore," I said over my shoulder with a smile. "Today and you are a middle schooler and we are on to braces." He smiled his gorgeous sweet smile and leaned forward and put his hand on my shoulder, which would have been his head if the distance of the seats had not been such.

This boy is a favorite teddy bear wrapped in an enigma. He's honest and disclosive in one minute, difficult to gauge the next. He prefers, almost any day, to recline right on top of you in the cold Fall wind. He hasn't figured out that that's uncool. He's just starting to sense what is uncool. I don't know when he's going to grow into that uncool thing and I alternately feel like I haven't done enough to middle school him up and thankful for the buying of time that his sweet nature has given us.

He converses easily with adults. He's building his own style of humor that he tries on with his sister, dad and me at every turn. He loves a turn of phrase or a double entendre. There is no bad fart joke. He cracks up when he talks about butts. To match that, I showed him Sir Mix-A-Lot's "Baby Got Back" and he spent most of the next day commenting on the fruit, and less on the back, or being a little "uhhhhhh, that was weird" regarding the ardent appreciation of the female form through Sir Mix-A-Lot's voluptious stylings. I think the giant buttcrack was perhaps the biggest hit. So it goes at this age, I've kept reminding myself. So it goes.

This is the kid that still likes me to tuck him in at bedtime, who is happiest when he can reach across and touch your hand. He is tactile and yummy and stinky and kind. When I found out I was having a boy, I thought "Good, I know nothing about what it's like to be a boy. I can see him for himself, in all of his dimensions, without clouding my

[Ok, so he just walked over as I was typing this, gave me an enormous, lingering hug]

without clouding my view with all of my own stuff." And that's it, every day. He's still a mystery to me in so many ways, such a beautiful thing to unwrap, like sitting waiting quietly for the birds to come out. They come and you get to see beautiful things, but sometimes it's just the stillness that brings them, the moment of breathing with whatever is there. Or, the time that those same creatures catch you unawares, explode into view, fill you with delight and catch your heart with laughter. That's what D is like. He's deep and sweet and hilarious.  He is golden. I love him so.

Grasping

My chest felt tight and unusually heavy as we swung out of Panera, coffees in hand, to make the 40 minute drive from Oklahoma City to my childhood home. This was the trip home that ended things, most things left being sold, my mother's house contracted for sale, the end of my time of having a place to land should I need it. This all ended long ago with my mother's death and our inevitable dividing of things and the eventual acknowledgement that our childhood home would be bundled up for someone else to own.

But it's been a tender couple of days. I walk past all of the tables in my mother's house that are laden with memories in the form of glass and silver and ceramic and oil paint and I feel a tug, a grasping for these items that remind me of my grandmother's home or of some piece of family history that I'm not quite ready to let go. I suddenly think that I haven't taken enough, that my parsimonious view when we were dividing things was short-sighted, that now I need these things to fill up a certain void left by dividing and new space and the time when my own children might want something of their own. I have a moment when I believe that I have bankrupted their future with a few fickle objects, which is total bullshit because these things mean nothing to them now and will mean nothing to them in the future because they don't know the people for whom these pieces had value. Still, I feel the tug and want and I sit in these feelings for a moment just letting them come and go, come and go.

The most interesting feeling that I am having is the feeling of grasping at something, fine threads of memory that are silken to the touch but so fine that they are hard to feel between the calloused fingers of my memory. I pick up my grandmother's wrecked suitcase, I take my dad's toy monkey, I find an electric razor that may contain DNA that would help me unlock who I am through where my dad came from. This all lands for me at a remarkable juncture in my life. I am losing the emotional security of my childhood home just as I have moved into a new place of my own to live. I am packing up a lifetime of memories just as I am launching into a new sphere of work. Never have I been in such a transitional space in my life, all by choice, all completely without a concrete plan or emotional safety net.

A strong vision or the predictive power of decision trees have been my family's way of managing through some of the shittier events in life. Have a vision, you'll know what to aim for. Map out the predictable outcomes, you won't be surprised when the worst outcome arrives at your door. There is comfort in knowing what is going to happen and in a family that has had such wildly unpredictable loss, it's been a saving grace.

But wrapping up pieces of your life and closing the door on spaces that house your memories is terrifying. It means closing off the one thing that you knew you could come back to, no matter what. It also means that sometimes you just have to sit without a vision for the future, that sometimes you have to just be in it. And you think back across those people whose things you touch: remembering what a kind woman your grandmother was, or what a fiercely strong woman your mother was, or what a generous and loving man your dad was, or how you look back over your family history and realize that you come from perserverant and courageous stock.

And the grasping slowly subsides and is replaced by appreciation. And you muster your own courage and think about working without much of a net. And you can let go, slowly, and move forward, slowly. And so be it. Amen.

Each for what they are

“Sometimes you meet someone, and it’s so clear that the two of you, on some level belong together. As lovers, or as friends, or as family, or as something entirely different. You just work, whether you understand one another or you’re in love or you’re partners in crime. You meet these people throughout your life, out of nowhere, under the strangest circumstances, and they help you feel alive. I don’t know if that makes me believe in coincidence, or fate, or sheer blind luck, but it definitely makes me believe in something.”— unknown


I have a fool's understanding of the beginning of the Universe, my untutored lens on the nature of its existence peppered with romantic ideas about particles and their attraction. But I love my ignorance, as it allows me to believe what I believe to be the electricity of deep connection, particles from the beginning of time reconnecting, people finding in another something elemental, fundamental, paired, true. It's a coming together of things long ago separated. It's attraction that is undeniable, electrifying and real. 

There is little in the world that matches the feeling of finding belonging in another, and little that matches the exhilaration of allowing yourself to open up to make that connection of deep friendship. This, for me, has happened with only a handful of people in my life and, as my life has progressed, I've grown less available to that possibility. I've been less willing to put myself out there, more afraid of investigating a connection to a new friend that may not fit and to have to back away, awkwardly, from relationships that aren't meant to be. There is a fitting to intimate friendships, as if your heart is made more whole upon connection and diminished in multiples upon loss. If you let it, the losses cause your heart to calcify; to look with a prejudiced eye at the attempts of others; to resist your own awesomely joyful and open nature; to tamp it down, lock it up, seal it off.

But the truth is that they are there, these connections well-worn and those not yet hatched, even if you try to keep yourself from them. Sometimes they last a lifetime or two, sometimes they intuit when you need them, sometimes they are moments in your life stitched together just for the moments that they are. You leave the ones that don't work out behind and relish the ones that stay. You chip away at the calcification and warm up the veins. You recognize each for what they are and for what they bring to your life. And you are grateful.

So My Heart Could Be Free

I can't remember how old I was, I can only tell by the span of the small waist and length of crushed velvet to the floor that I must have been five or six. The fabric was supple and soft to the touch, a rich brown that meant cold weather and fancy occasions. I was so proud to have this dress, excited at the prospect of my Grandma making something so beautiful for me with her own hands. I remember standing stock-still in her basement while she worked at pinning me up with her gnarled hands, smoke rising from her lit cigarette that burned my eyes. I remember the turned down collar trimmed in lace, the formality of the skirt, the way I felt that I had never owned anything so lovely in my entire life.

My grandmother was an amazing woman, soft and kind, generous, always stylish, a fabulous entertainer, a woman gentle with her words and always with a glimmer in her eye. My brain still smells the rich aroma of mushrooms cooking in butter, the treat of a special goose for Christmas or the simple pleasure of her legendary dinner rolls. She was a woman that did things from scratch, who worked to create good things, who taught me about quality. She's say "hold out for the real McCoy, Frances", meaning it was better to spend money on a few high-quality things rather than waste money on things that would quickly break or ruin. I wear her beautiful gold bracelet today, the smoothness worn by her own wrist now touching mine. I can feel her in these moments, this woman who was a refuge for me in every way. Thinking of her and her absence in my life makes my heart ache.

I rode to work with a friend today, telling her of some of the sadness and loneliness I'd felt during my elementary school years, trying to explain the complexities of my life in a small town and being from a family with a certain name. The rest of my day was speckled with reflections of what brought me through that time and about what a child needs to feel loved and secure in the world. My grandmother provided a calm stability in my life. She bought me stacks of books to escape into and spirited me away to New Mexico so my heart could be free in the purple mountains and fire-orange sky. She taught me how to hold my head high when I felt defeated and to knuckle through rough times knowing that things would get better. She was optimistic and thankful for the good life she had, the family she loved and the friends that gathered around her table. She saw the best in people, would always lend a gracious hand, appreciated what she was given and was generous in return. As a child, observing her way of being in the world gave me hope that one day I would be the same kind of lady that she was, through and through.

I look at my sweet Ava, the lean and lanky size nearly a perfect fit for my faded brown dress. I think of how precious and tender the heart of a six year old can be. I think of flashing blue eyes, white hair, the color of perfectly red lipstick. I think of warm comfort. I think of love. I am thankful.

(Ava G original alongside my treasured gold bracelet from Grandma Loosen)