Showing posts with label leaf in the stream. Show all posts
Showing posts with label leaf in the stream. Show all posts

Tuesday, October 8, 2019

River

(For Noadiah, whose wisdom is gold)
Been traveling these wide roads for so long
My heart's been far from you
Ten-thousand miles gone
Oh, I wanna come near and give ya
Every part of me
But there's blood on my hands
And my lips aren't clean
In my darkness I remember
Momma's words reoccur to me
"Surrender to the good Lord
And he'll wipe your slate clean"
Take me to your river
I wanna go
Oh, go on
Take me to your river
I wanna know  --River, Leon Bridges.

Lines across the page, pen and paint dipping back and forth to ferry color in bits, I sat letting my mind wander through so many things while listening to Leon Bridges' song River on repeat. It's been a grey day full of that thrust that wants to keep things moving forward, reaching, but the tug of the grey is strong and the deep soul of this song will not let my mind rest. I've been thinking about the river all day, about friends who will observe Yom Kippur tomorrow, about the cleansing and healing power of gathering up shame and guilt and attendant sadness and casting it upon the water so it can fan out and away. Tonight over dinner, friends and I were talking about the ritual of bread taking in the quality of those emotions and, in turn, nourishing the aquatic life beneath, the movement of that energy from harmful to nutritive. There is a surrender to the water, be it nightly as I shower or sitting beside the ocean listening to her crash and call. My nightly showering ritual started in a ramshackle college dorm in Rome, Italy where I was living for the summer, two short months after Hunter died. My grief was unmanageable and unmooring, stuffed down by copious wine and a distancing from myself that had gone into overdrive with my dad's death four years before. Nightly showering was a way to strip off the day before I crawled into the twin bed in my lonely room and let tears stream into my ears while I stared at the ceiling. So many years later and in the weeks before I got married, I stood on the shore of Whidby Island and held hands with my girlfriends as they all wished their peace for me before I threw myself into the water of the Sound. I wanted that water to wash me anew, a clearing between what was and what would be. Tonight in the shower I was thinking how beautiful it would feel to be baptized now, at this age, not so much into the realm of the church, but into the light of joy. To receive the intention, to be held and plunged back, to come up for air in the shattered sunlight, cleansed. There is something I crave about that feeling. Perhaps it's surrender. My chest draws toward it. My heart has a need.
Listening to Leon Bridges reminds me that we are most resistant to coming to peace when we feel our most unworthy, when we have blood on our hands and our lips aren't clean. We want to put the pain down, to let the sins and feelings flow away but we feel too broken to ask. And this is precisely why these rituals exist, to allow us to release the shame and the shit and the static that keeps us from one another and from moving forward in our lives. My friend Noadiah told me that his beloved minister once said "Prayers aren't being answered? Well, who are you still mad at?" When he said this, a face lept to my mind as clear as day, boom. There are others, but this is the mad that is sticking the Universe in a loop for me. And it's my own atonement to do, not because I have wronged this person, but because I have wronged myself in holding on to so much anger. 
It's humbling and messy and I'm making my list of things I want to think through as I walk to sit by the water and be present to this idea of giving some of this a rest.
Join me.

Thursday, April 14, 2016

Made manifest

Today the men came to rip out the kitchen, next week the bathrooms, weeks after that the not-original built-ins and flooring. This shit is getting real, for real, now. Minutes after I took this picture, I saw one of my realtors on the street outside. "Come back and see what we are doing!" I called to him. "Oh my, go slow on that remodel, Fran!" he counseled back. "HA! This is go big or go home time, Ralph!" was my gleeful response.

And it was gleeful. All of the anxiety over the enormous amount of money I'm spending, whether I'll be in this home forever, what it all means to this time in my life had been burned away in that minute.

This is my vision, my brain reminded me.

My big, beautiful life, the home I wrote about back in June when I laid out my vision for my future. And that vision encompassed life and home and work and relationships. It is coming true in ways big and small that I haven't focused on, but have become manifest just for the sheer fact that I have articulated them. It's all in motion, big and huge and becoming. I can feel it.

Sometimes the bravest thing you can do is to override the intellect and go with your heart. Sometimes the bravest answer is "yes", or "no" or "not this" or "hmm, let me consider that". Sometimes the decision trees are not enough, that the downward cascade of the worst case scenario is not going to save you from hurt or sadness or tragedy. Sometimes you have to run in front of the good thing to make sure you catch it. Sometimes what you think is a good thing only exists to teach you more about who you are and how gracefully you can let go of things that are not meant for you. And bless them, and say "thank you" for the lesson.

Late night last night, I got some great wisdom from a new friend about creating the life you want to live. He said that he believes that you attract good things by living the good things: to attract depth, you have to be vulnerable to going under; to attract partnership, you have to get past the need to manage the situation; to walk the path with others, you have to be comfortable with the ambiguity; to create a difference in someone's life, you have to know yourself in all of your sticky messy-ness first.

He also said that knowing the difference between suffering through an untenable situation and the life you are destined to have is having a sense of what this big beautiful life would feel like well lived.

What would that big beautiful life look like?
How would that make you feel?
Who and what exists with you in that space?
How will you continue to grow?
How will you help to make this life you've envisioned manifest?

And why are you waiting even a moment to begin?





Sunday, June 28, 2015

Distance (Part II)

For T. L. and K. R. especially.

***************************************************************************

It hits you when you open boxes, digging through things that have meaning so essential to who you are and where you have been: letters of kindness from past lovers mixed in with transcripts from years of college where you didn’t give a fuck; paintings that hung in your grandmother’s home that your small-person’s eyes thought were magical; the honest and intentional letter your now ex-husband wrote as homework for the last hopeful stint of marital therapy that you wish you could unpack a little more now; the heartfelt cards your kids made on your last day of chemo that tell their own story of worry; your mother’s St. Gerard prayer card that hung on her bathroom mirror every day of her journey of motherhood.

You are thousands of miles from many of these experiences; time and physical distance and a long journey of letting muddy water settle into clear has brought you to a new space in a city full of its own personal mark on your life, in a beautiful new home that already feels like the right space for your spirit. And these things make you think of a metaphor that your mentor gave you years ago when you worked in a domestic violence organization. She said “The thing is, Fran, that when you are in the middle of something traumatic, hard, unavoidable in life it’s like you are in a house on fire and you are nattering around trying to decide what to carry out with you. You’re thinking ‘Should I take Auntie Harryette’s doily? Or what about these twist-ties? Where is my juicer?’, all while the house is burning around you until someone finally pulls you out of the house and sits you on the curb across the street. It’s only then, wrapped in a blanket and with the oxygen mask on your face do you realize how things were and how, by anyone's measure, you could have not survived it all, but by the grace of whatever moves things* and people who helped you out, you did.”

Today you are sitting in your new home, in the grey sunlight shifting through the windows of your new favorite spot, listening to the songs friends gave you for the journey here. And you are sifting through these many years of so many things, so much loss, so much love, so many good people that have put their arm around you and guided you to a safer place. And it’s this distance, close enough to remember but far away enough to have perspective on, that allows you to feel the full force of gratitude, of loss, of appreciation, of duty, of remaking, of love and to sit weeping at the weight of it all and in appreciation of the opening that has happened in your life that means the next chapter. That it’s not sifting through the ashes to find what is left, but rather the blessing of the spaces and people that were and are no more, to ritualize the memory and to move forward powerfully, happily, with courage, without anger and into a new life of your own creating. And you are so thankful at this moment for this moment. And you are so acutely aware of friends who need that arm around their shoulders to get them out of their own burning houses. And that’s what it’s all about, this remaking of love and kindredness, of your people, of accepting and receiving love when you can't see what you need but just trusting that others can help guide you. And realizing the path was the path in just the way it had to be.** 

It’s beautiful and hopeful and quite different than anything you've ever felt in your entire life. And you are grateful beyond measure, your heart welling and brimming in its fullness. Amen.




*Jan probably said “God” here, but my father always said never ruin a good story for lack of facts.
**I also remember so vividly a FB post from my friend Lee which recalled a moment when she was lying on her bed so ensconced in emotion and feeling that all of the shit she'd been through had been worth it. I think this feeling is similar. I have held on to that post for so long, Lee, and wish I had the exact quote. Thank you for giving life to it.

Friday, April 10, 2015

Interior: On Writing

I struggle with this idea of writing. There is a part of my heart that loves it, that loves the release that I feel when I put together something that resonates with me, with others, brings others to tears or laughter or whatever it is. I feel like sometimes this will be my mark if everything falls into the shitter and I leave this earth earlier than anticipated, something for my kids and my friends to hold onto. 
And there is another part of my heart that understands the weird precarious nature of writing, the part that doubts that what I do is useful to anyone that doesn’t know me, that pieces are touching because the people that read them are people who already love me, and that for those people it’s like reading a piece torn from a diary from which you can identify parts and pieces that make sense. But I wonder, really, if these things I trace onto the paper make a difference to anyone outside of the circle of my friends who hold me and my experiences close. I’ve had amazing feedback from people that I have loved and I’ve been really wounded by people I have loved not giving me any feedback. It’s an interesting and tender spot that I don’t want to care about, but I do.
I’ve been thinking about this a lot lately, wondering if that is why I have chosen the rapid-blogging format I use (I don’t know if this is such a thing or if I made it up, but this it’s writing all in one shot, less-than-miniscule-to-zero revisions before posting, get it out and get it up style). If I do it quickly, nobody can remark on the quality. If there are no revisions, I can blow off any mistakes or feedback. If I don’t put in the effort and if I only rely on the whim of the moment, I can’t be expected to be serious about this in any real way. In short, I avoid all of the conflict of criticism or the reality of feedback by being 13 again. My mother would laugh out loud at that idea.
So I’ve been thinking about this a lot. I’ve been thinking that I still only really want to write to get things out that I notice, that I love just writing thinking that people I know on Facebook will read it, that I am not a “writer” and I have no aspirations to make this any more than it is. But I need to take this to another level, maybe work in a longer format or build in revisions or begin to take things out of this stream-of-conciousness format that it lives in (as I am typing now) and into something more coherent and cohesive. There is part of me that loves things raw and I have experienced my friends transitioning their gifts from raw talent to tutored and trained talent with mentorship and help and sometimes the transition is rough. I’m not sure what it means to lose your edge and some of the authenticity either. Maybe I’m trying to convince myself already that this is not a good idea, so I’m going to say it before I back away from it completely… I think when I get to Providence, I am going to find a writing coach.
There, I said it.
Now I have to do it. Or come up with a really freaking good reason why not to (which may be, well, I’m not writing coach material).
So wish me luck, friends. I’m peering beyond the edge on this one.

Tuesday, April 7, 2015

Aloft

For a long time I have had a recurring scene pass in front of my eyes, a flickering black and white clip of a man with artificial wings affixed to his arms, running dead set for the edge of a cliff. He runs, flapping like hell, only to pull up short just feet from the edge, not trusting his homemade contraption to hold him against gravity.
He is Icarus, Daedalus' son, anxious against the bright sunlight, worried about his own weight on the wings, worried moreso about his undescribed and hidden desire to fly to the highest heights with abandon.  What that will mean and what that will make, his desire to fly is thwarted by last minute doubt and worry.
But tonight, Joseph Campbell's recording of ancient wisdom rang true:
“A bit of advice
given to a young Native American
at the time of his initiation:
'As you go the way of life,
you will see a great chasm.
Jump.
It is not as wide as you think.' "
--from A Joseph Campbell Companion: Reflections on the Art of Living

Today I bought a house, cementing my decision to move to a city long considered a future home, under different conditions and for different reasons, but an idea set in motion long ago. And I'm here, now, and happy and excited, this bittersweet taste in my mouth not crowding out my delight at new discoveries, but also not salving pretty profound feelings of loss and change.
It's like coming back to something and knowing it for the first time, like T.S. Eliot talked about, but not really. It's holding the space of what was with the space of what might be. It's being unsure about how to marry what has already happened (the people you love(d), things you've experience(d)) with an unchartered course.
My girl, Bridget (who is truly a gifted spiritual advisor) noted that this is a time to accept & be, explaining that if things could be different, they would be. And so I move forward, buying a house on a familiar street under radically different circumstances, celebrating a new life in environments that hold many memories, stitching together what is new and old without being totally clear on the design that will unfold. More crazy quilt than the careful block pattern that has governed the stitching of my life for so many years. Stepping into it, breath deep in my lungs, stomach tight, arms strengthened and ready to hold these heavy wings aloft, trusting in my own ingenuity, ready to take flight. 
Light as air, it's not as wide as you think.


Wednesday, December 19, 2012

Distance

Today my mind has been tangled up thinking about distance. Distance between people, large expanses of spaces, what proximity means for relationships, how that expectation is mitigated (or complicated) by technology, time and intention.

Distance is a funny thing.

What keeps coming to my mind is my children's martial arts training and the practice of defense blocks. Fists outstretched to arms length, knuckles touching...to practice this work, you first frame yourself in space with the other person so that you are able to give appropriate berth to the action, but also not drift too far away. If you drift too far away, you get none of the benefit of the contact. If you are too close, your movements and work get too entangled to be effective. The master reminds you, "distance!" so you know to reframe your space, correct your proximity, realize where you are and what the relating to another is about.

Sometimes the refreshing of space is good.

Sunday, October 21, 2012

With Practice, Will Be Lifted


My arms were shuddering like a trailer bed on a washed out road.

Chaturanga Dandasana [exhale]
Urdhva Mukha Shvanasana [inhale]
Adho Mukha Shvanasana [exhale]

Sits bones pointed to the sky, backs of my legs aching, arms outstretched and pressing to the earth, I had repeated the Sun Salutation A sequence over and over, finding its well-worn rhythm deep in my muscle memory. "Do you know Surya Namaskara A?" the instructor of the Mysore room inquired. I nodded yes, knowing full well that I had just refreshed that memory from a YouTube video perched on the edge of my thin travel mat in the hotel room just days before.

It had been eight years since I had rolled out the mat in an Ashtanga class, eight years since my friend Jenny Antony and I used to work deeply and intentionally before capping our practice with a free slice of bread from the Great Harvest store upstairs. Eight years since I lay on the mat in Shavasana, my body regrouping and resetting itself, tears streaming from my eyes while Eva Cassidy's soulful voice sang Fields of Gold. Forging the road of new parenthood, married life, and deep identity confusion, yoga had been a refuge for me. It was a time to myself to try to leave things on the mat, concentrate my mind on the breath instead of the tapes in my head and bend my body in ways that would force me to realize that, like life, some days were easy, some incredibly hard.

After the work, Shavasana brought me two incredible images today. The first one was of a fish caught on a line, leaping out of the water, flipping, struggling, working against what is inevitable but fighting nonetheless, fighting the need to succumb to what will be. There are things that I have abandoned that I don't want to pick up, even though I must. There are situations that I need to let go, even though it breaks my heart to do so, even though my breath catches at the thought of it. There are days when I feel caught by realities I know I must deal with on so many levels, but that I thrash against, unwilling, unwilling, unwilling.

The second image that rested before my eyes was that of a large, grey spirit presence, somewhere between Totoro and Stillwater the Panda from Jon J. Muth's Zen Shorts. This presence sits next to me, silent, there, looming, reminding me that I have unfinished business, that that business waits for me, it will not go away no matter how far away I scoot on the park bench. It leans in, just a bit, with soft pressure that reminds me that I don't need to be scared of sorting through this unfinished business, that I will be held well by what I need to sort through it. That it may be difficult or painful but that it will be ok.

Today the sweat drenched my body, my long-lost limberness resurfacing in the heat and incense and intensity of the moves. I lay there thinking of the work I need to do to free the fish and befriend the spirit, of the people I love and lean on, of the blocked feeling I have that, with practice, will be lifted. Some easy, some incredibly hard. Om.








Friday, September 28, 2012

just to let it go

Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook.
Not the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication.
Not the lover you left quivering in a hotel parking lot,
the one you beat to the punchline, the door, or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don’t regret those.
Not the nights you called god names and cursed
your mother, sunk like a dog in the livingroom couch,
chewing your nails and crushed by loneliness.
You were meant to inhale those smoky nights
over a bottle of flat beer, to sweep stuck onion rings
across the dirty restaurant floor, to wear the frayed
coat with its loose buttons, its pockets full of struck matches.
You’ve walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
You’ve traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation. Relax. Don’t bother remembering any of it.
Let’s stop here, under the lit sign
on the corner, and watch all the people walk by.
- Dorianne Laux “Antilamentation,”


The dusty boxes are still sitting in the bottom of my closet back home in Oklahoma, my meager pilfering through them surfacing so many emotions that I felt like I needed to stop, to breathe, to reframe my thinking before I carried on.

A text sent to my friend said it all:
"Sorting through all of my childhood to pre-Portland life. Kind of intense to realize what a depressed and fcked up young adult I was, even if people didn't see it on the outside. Crazy."

and

"It's really weird to struggle with the idea that there was a lot of lost time in my life. Time I will never get back and time I may not have in the future."

So today when the poem above from Dorianne Laux came through my feed, something hardened from long ago became soft inside of me.

You’ve traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation.






Every year I spend the days before Yom Kippur reflecting on the past year (no, I'm not Jewish but I borrow this tradition). Thinking through the things that made me happy, thinking through the things I regretted or that made me sad or wistful, thinking of things I want to do in the next year, who I love, who I want to spend time with, how I want to challenge my mind and life to do good things. It's a important time to write things down, to take stock, to see where I am going.

Sitting with these feelings this in-and-post cancer year has brought in the added layer of "time". Time I have wasted, things I have done, situations I have been in during my life that were neither healthy nor happy. And the great sadness of looking forward and thinking about time and not having it and how horrible that would be.

{And then reading that Susan Sontag was diagnosed with Stage 4 metastatic breast cancer in 1975 and lived until 2004. So go figure.}

What softened inside of me was the realization that life is too short to dwell in what happened in the past, to rehash the things you wished had happened in relationships, to question decisions that led to different paths than the future I had seen for myself. Even for a person like me who has struggled with the depressive tendency toward rumination over such things [the twisting of invisible hands and the sighing of invisible sighs that leaves you sitting in a rut you can barely peer out of], there is the possibility to not revisit this, not to drag it with me, just to let it go.

Relax. Don’t bother remembering any of it.
Let’s stop here, under the lit sign
on the corner, and watch all the people walk by. 


Amen.









Thursday, December 29, 2011

Imperfectly perfect.

This is dedicated to my friend Tanya Luz, who way back encouraged me to let it be what it was, to embrace what it is and hold my head high--or shake it when necessary.


We wheeled into the parking lot, crunching on the ice underneath, a little giddy at the thought of a few hours away for a little rest and relaxation.

"Oooh, let's start in the hot pools and then go on to our appointments," Lisa noted as she started out of the car.

I froze. "I didn't bring a swimsuit," I said.

"Oh, I didn't either, not a big deal," she replied, and then stopped. "Oh."

We both looked at each other for a minute. "Lis, I don't think I can hack sitting with a bunch of people I don't know with these scars. It wouldn't be anything if I had boobs, but I just don't think I can do it."

"That's ok, let's just go in and see what the situation is inside," she offered.

[I need to pause here and say that from time to time I realize that I am waaaay TMI in what I write here. When I think about my male friends reading this stuff, I cringe. I wonder sometimes if it's crazy that I write about these things and then I realize that people can decide to read if they want to. And, for those of you who are here because you are googling "schlongs"---yes, I can see you--sorry to disappoint.]

So we cruised inside to this beautiful spa teeming with people, grabbed our robes and headed into change. The women's locker room was packed and suddenly I felt like the early-developing 5th grade girl trying to hide the embarrassment of her breasts while clumsily changing clothes. Take off the shirt, hold the robe with chin, try to get into robe without flashing everyone, {shit!} drop robe. All the while uncomfortable and slightly panicked that I am going to make someone else uncomfortable. Yes, uncomfortable. Because it's not really about me feeling like a freak so much as shielding others from the discomfort of the experience of seeing someone with a double mastectomy.

But on the way into the showers I noticed something. Women line the dressing room in various stages of disrobing and, as I cast my eyes around the place, it hit me how imperfectly perfect the female form is. There are women of all shapes and sizes. Lumpy, bumpy, big, small. Even the ones in the best shape had boobs that were disproportionate or hips that were too wide or, gasp, cellulite.

Imperfectly perfect.

In a flash, I thought of my friend Tanya who used to do burlesque and her stories of women with all sorts of crazy, mixed up bodies who would get up and shake it, just because they could. And in that moment I realized that I am just another of these imperfect bodies lined up. My lack of boobs makes me a little bit more of a sideshow, but I may as well own it. In all likelihood, one of these 16 women in the room will have breast cancer too. In all likelihood, they will all have mothers or sisters or friends who will find themselves in the same situation I am in. In all reality, my hiding doesn't help anyone.

Out in the pool, the water was so hot and the air was so cold. We women alternately crouched under the water and rested alongside the pool. Sitting with my head back, talking to my sister, relaxing into the feeling of purification, of lifting, of being just present with where I am. Delicious.

Saturday, August 6, 2011

Fermata

A fermata (also known as a hold, pause, colloquially a birdseye, or as a grand pause when placed on a note or a rest) is an element of musical notation indicating that the note should be sustained for longer than its note value would indicate. Exactly how much longer it is held is up to the discretion of the performer or conductor, but twice as long is not unusual.

In essence, the fermata steals time.

*************

I was really embarrassed when the tears sprang to my eyes. Everyone got quiet as I stared at the floor and tried to collect myself. I glanced up and looked over at Nick with pleading eyes and face mirrored a my sadness and concern, but wasn't budging either. Then heard my oncologist say "Don't blame him, blame me, I'm the one that's telling you that you can't go."

I was supposed to be heading to Chicago in a week for an overnight trip with my team from work. A wonderful two-day design brainstorm with a fantastic design firm. It was a crushing thought. This is why I do the work I do, these are the experiences that feed me and propel me forward in my learning. It was not only something that I was looking forward to, but also something that made me feel normal during this time of non-normal living.

My doctor had made a good point. I would be staying by myself...what if I spiked a fever in the middle of the night? What if I couldn't get in touch with my team mates or him? I wouldn't have any data to share as I showed up at a Chicagoland emergency room. And me, with a problem after every chemo to date was someone he didn't want far away. We were switching things up again, better to play it safe and stay put.

He was right, but it was maddening. I started this process hearing from friends whose relatives had gone through chemo unscathed, one of two weathering it so well that they didn't even tell people at work that they were undergoing treatment. My expectation was that I would just live my life the way it was with this little inconvenience happening on the side. I know it sounds ridiculous, but for those of you who know me well, you aren't surprised. I power through, damn it. And when I can't, it's a shock.

Letting go of that trip really cause me to think about what breast cancer has brought to my life. It's like someone has punched a huge pause button. On the rough side, it's the hold on the phone to an important conversation you want to get back to. On the good side, it's the fermata, holding of note for a time that you see fit, knowing you can move on to the next beautiful combination of notes when the time is ready.

It's taken me over five months to get to this place. Five months to finally realize that I need to let go of what I thought was going to happen and just be. To feel like a bug trapped in the amber sometimes. To end that last note (the days before I got my diagnosis) and just hold it until I can resume. It's stolen time,  yes, but stolen time that will give me time in the future.

The reality is I never believed I would have cancer at such a young age and I don't think I have ever come to terms with what it and it's treatment has and will mean in my life.

I think I am still in denial, to some degree, of how big this is and what it means.

Allowing that in would have made/may still make me insane. But, I am coming into an understanding of what I am in, right now.

But time is tricky. If you are like me (or the old me), you count the minutes, you look at the long haul, you make plans, you wait. In the fermata, you try to sit with the pause, you begin to realize that you can't fight what comes, you pay attention to what is around you. You are a hybrid being with one foot in the future (4 more to go! 5...6...7...8!) and you mind and body in the very real and addled present, forcing you to sit, very firmly, where you are.

It's been years since I have considered getting a tattoo, but I may have found the right one to remind me of this time. Just a small one, inside my wrist, to remind me of what I have learned here, how important it is to be, to rest, to hold that note for as long as I need to before moving on composing the music of my life. The gift of memory and mindfulness, movement and pause.

Wednesday, June 29, 2011

Reprieve

Just a little update. I got a call from my onc nurse today to say that my oncologist wanted to cancel chemo for Friday and has been consulting with an allergy specialist to see if there might be some immune/allergy complication to all of this. I see him tomorrow morning at 9:15a to get the ball rolling.

I can't express the feeling of relief that flooded over me when I got off of the phone. I do like my oncologist and it felt great to have him be so proactive on next steps. We may not find anything, but at least we will take the time to check out what might be happening if there is something there. In the meantime, I am going to focus on accepting these medicines into my body as a gift instead of the caustic poison I keep hating.

So, reprieve for a week while we work this out.Thank you for all of the support and awesome well-wishes.

Thursday, June 16, 2011

Floating

I hold in font of my eyes an image of a leaf on the water. The clear water simultaneously reads brown from the silt below and blue from the skies above. The leaf floats gently, swirls a bit, catches the slow current and moves lazily by. It is sunny and warm in the shade covering the stream. It reminds me of camp summers riding in Colorado, our horses bending their heads for a cool drink while we sip from our canteens. Peaceful, beautiful, calm, centered.

My friend Joanna gave me the image of a leaf on the water when I was telling her of my anxiety about starting chemo tomorrow. "Be a leaf on a stream", she said, and that image came to my mind.

I started out this week in a panic, feeling as though I had put off studying for very important test. Three weeks became two weeks became WHAM! one week with no time to get my life organized before this phase came in. I was supposed to be set up for acupuncture and reiki and have my house cleaned and be meditating and sure as hell be feeling more comfortable and confident that I was at that particular moment. I was supposed to be ready, damn it. I was arrested with dread and fear and disappointment in myself for not preparing to face the chemo better.

But this week the kids went to see their Oklahoma aunties and uncles who welcomed them with open arms and lots of love and gave Nick and me the breathing room we really needed. Days of flexible time and no guilt around being home late from work and relaxed dinners with a man I really love took the anxiety and gave it a coconut butter rub down so that it couldn't stick its sticky claws in quite so deep. I feel somewhat relaxed, that leaf on the stream, just letting myself be.

The past two weeks have been full of interesting observations about my life, too. Things I have always known about myself, but things I think I am coming to understand. This experience has made me more authentic, I think, more willing to stick to things that I believe even though they may not be popular. It's made me more willing to risk at work and in my community life. It's made me realize that this is the shot I get and I need to do according to my true self. There aren't a lot of second chances to do this all over again.

It has also given me insight about something peculiar and telling about my personality that I only just realized yesterday in the car. I had my ipod on shuffle and was listening to a really wonderful mix of music. As the program would dip into the 2,150 songs available, I would find myself intrigued by a song, instantly nostalgic for the memory it evoked or simply enjoying what it had to offer. But shortly into it, my mind would wonder what song was next, effectively ruining the experience of the current song in anticipation of what was to come.

I am hard, hard, hard wired this way. It's not only the way my mind creates and visions new work and ideas, but also makes sense of the world. Anticipating the next song, much like anticipating the next phase, the next treatment, the next reality can be exhausting and allows the monkey mind to run rampant with the endless permutations and combinations that the world of medicine holds.

So tomorrow as they plug me into the machine and we begin the 16 week trip down this potholed path, I am going to keep with that image of the leaf in the stream, of the cool mountain air, the smell of horses and leather bridles, the feel of boots on my feet and nothing to consider but what lies just shortly ahead.

Wish me luck.