Start somewhere, even today

For Paul, because I'm still learning (with so much thanks).
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This morning as I bent my head down to kiss Ava's forehead to wake her, I whispered "Hello, my beautiful girl. How did Mama get such a beautiful girl to call her own?" Ava's eyes fluttered awake and as I came into focus, she smiled and said "It's because you're beautiful, Mama. Where did you think the genes came from?"

"Oh, sweet girl," I said, "Mama is..." and stopped, hearing in my mind what I was going to say next.

What was I going to say next?

I was going to say something to deflect the compliment. I was going to say anything that would deflect what she had just said. "Mama is...old? smarter than she is pretty? not beautiful?"

Instead, I smiled at her and said "Mama is so thankful for that compliment, bug. I love hearing that you think I am beautiful, it means so much to me that you tell me things that you appreciate about me." Because here is this fantastic, powerful, beautiful, creative, light-filled 10 year old who doesn't get that it's not ok to think that you are beautiful, that acknowledging physical beauty is fraught and full of connotations. And, at the very end of the day, she hears time and again that we look so much alike. Who is lying, then, if I deny her compliment, her or me?

I struggle with this question of beauty, the inclination for my girl to watch herself dancing in the mirror, the tossing of the mane of hair, the emphasis on her looks. She's confident across the board: smart brain, kind personality, giving heart, beautiful face. But there is this narrow line of humility that needs to run the border between confidence and arrogance that I feel as a parent I need to enforce, lest this get out of hand. Or is there? Perhaps it's just all my own conditioning now brought to roost in my shaping of this bright soul's opinion about herself. What am I supposed to do?

Years ago, a friend told me about an experience she had with two trusted and lovely friends. My friend is a smart, beautiful, clever, funny, hardworking and talented woman. At this stage in her life, she was already professionally successful in her mid-twenties, working hard and being recognized for the great things she brought to the table. If memory serves me, her friends were running a workshop about messages that women receive about themselves and wanted to work through an exercise where they each made a list of loving truths they believed about my friend. They then sat on either side of her and whispered these loving truths in each ear, one at a time. I think she told me that she made it through maybe 5 rounds before she could no longer stand the urge to reach up and shield her ears, finally asking them to stop, tears streaming down her face.

Maybe it was because we were in our mid-20s, but I sat nodding at her reaction, my skin prickling at the discomfort.

The truth is that I think women want nothing more to than to be truly seen by the people we love and who love us. We want to that inner light to rush to our eyes because we are able to be vulnerable. We want to feel that warm comfort of trust. We want to be beautiful, not only in the manifestation of someone digging our physical form (in whatever form that may be), but beautiful in the most all-encompassing way: heart, mind, soul and personality. Stop a woman on the street and pay her a compliment and watch the smile radiate from her face. These safe, single-serve intersections put a lift in anyone's stride that lasts hours. But go deep with a friend about how much you love and appreciate her, how you love how she walks in the world, how you think she's physically beautiful and watch her squirm or, typically, deny.

It seems the only way around this is exposure therapy: the relentless and targeted exposure of authentically admiring the beauty in the women we love. It's a text to your friend highlighting something that you admire. It's a phone call where you say, with your words, that you find something about her beautiful ("cute" has no space in this exercise...puppies and kittens are cute). It's the letter you write to tell her why you think her being on this earth matters to you, why her relationship with you matters or is important. And then there is the conversation over drinks, looking into her eyes (friend to friend, lover to lover, mother to daughter, etc), where you get to say these things and react to one another in a physical way.

Exposure to her own goodness, in varying degrees of intimacy, from someone she loves.

I had this sort of experience with a friend years ago, at a time in my life where I felt lost, alone, and less of myself than I had been in years. This friend made it his job to show me to myself, to bring me back to an understanding of what I could mean to people, to boost me back up on the path. This is his gift, a source of encouragement for many people I know. I also know he saved my life in many ways by this simple gift of sharing with me the bright light he saw in me.

So who is that 10 year old inside of you that all too quickly learned to stop trusting her belief in her own beauty? And how can you love and encourage that confident 10 year old in others? Because we all love the love, even if it's at different levels and with different layers of security keeping us safe. But it's good to start somewhere, even today.

Interior: On Writing

I struggle with this idea of writing. There is a part of my heart that loves it, that loves the release that I feel when I put together something that resonates with me, with others, brings others to tears or laughter or whatever it is. I feel like sometimes this will be my mark if everything falls into the shitter and I leave this earth earlier than anticipated, something for my kids and my friends to hold onto. 

And there is another part of my heart that understands the weird precarious nature of writing, the part that doubts that what I do is useful to anyone that doesn’t know me, that pieces are touching because the people that read them are people who already love me, and that for those people it’s like reading a piece torn from a diary from which you can identify parts and pieces that make sense. But I wonder, really, if these things I trace onto the paper make a difference to anyone outside of the circle of my friends who hold me and my experiences close. I’ve had amazing feedback from people that I have loved and I’ve been really wounded by people I have loved not giving me any feedback. It’s an interesting and tender spot that I don’t want to care about, but I do.

I’ve been thinking about this a lot lately, wondering if that is why I have chosen the rapid-blogging format I use (I don’t know if this is such a thing or if I made it up, but this it’s writing all in one shot, less-than-miniscule-to-zero revisions before posting, get it out and get it up style). If I do it quickly, nobody can remark on the quality. If there are no revisions, I can blow off any mistakes or feedback. If I don’t put in the effort and if I only rely on the whim of the moment, I can’t be expected to be serious about this in any real way. In short, I avoid all of the conflict of criticism or the reality of feedback by being 13 again. My mother would laugh out loud at that idea.

So I’ve been thinking about this a lot. I’ve been thinking that I still only really want to write to get things out that I notice, that I love just writing thinking that people I know on Facebook will read it, that I am not a “writer” and I have no aspirations to make this any more than it is. But I need to take this to another level, maybe work in a longer format or build in revisions or begin to take things out of this stream-of-conciousness format that it lives in (as I am typing now) and into something more coherent and cohesive. There is part of me that loves things raw and I have experienced my friends transitioning their gifts from raw talent to tutored and trained talent with mentorship and help and sometimes the transition is rough. I’m not sure what it means to lose your edge and some of the authenticity either. Maybe I’m trying to convince myself already that this is not a good idea, so I’m going to say it before I back away from it completely… I think when I get to Providence, I am going to find a writing coach.

There, I said it.

Now I have to do it. Or come up with a really freaking good reason why not to (which may be, well, I’m not writing coach material).

So wish me luck, friends. I’m peering beyond the edge on this one.

Winnowing

Somehow this is not how you envisioned it, midday grey skies coaxing through the windows that you notice are in need of polishing before the people come to look at what is there. You envisioned bourbon in glasses and smoke and arms fisted up into clenched hands wrestling over who gets what. But it's not that. It's a Monday and you are starting with the bigger things when your partner of so many years lays it out for you. There isn't a lot there, honestly. Extracting the family pieces that you've either dragged with you or recently dragged in, there's not a lot there worth keeping. Old mattress 10 years on that may need replacing (that saw both of your children home), bunk beds the kids no longer want, too many items from IKEA to warrant a move across half of the nation. Save a few pieces of furniture, all of the accumulated knick knacks and a heavy lift in the kitchen, glassware and dishes, there simply is not much there. Easier to pitch it, give it away, parse it out and buy anew than to spend what it would take to bring it along.

You are not ready for the gut-punch that this brings, the sudden thought of this person you've been with for so long starting a life with barely a trace of his old, your history's imprint erased from the smooth arms of the chair, wiped clean off of the glasses, not nuanced in the myriad of future choices he would make about his accommodated life. But it's not the you being erased that is the gut-punch, it's the history, it's the together, the starting over and moving on.

And for the next few hours, you ruminate over what investment means in a marriage. What not having a lot in common to divide up means. You want to lift this metaphor into the narrative of your marriage, to use it as a tool to make your case. It's proof, you think, because the bigger truth is your heart is sore, because accumulating/not accumulating objects feels like it should mean something, because after 14 years you expected more to be there, because you can't quite erase the image of your partner's back entering a home, not your home, to start anew.

You would be foolish to leave your thinking there, so you don't. You remember hours in the garden, great meals in the kitchen, small people at soccer games and school board meetings and graduate school. You remember moving and packing and unpacking and fishing trips and the long stretch of time that this house you are leaving has afforded you during beautiful summer weather and magnificent fall leaves.  Fourteen years, not measured in big things you bought, slippery to hold onto save for the two bright and amazing beings the world will delight to receive someday. Slippery to hold on to save the small objects from faraway places that you hope his future partner won't ask to remove, the pieces that were too beautiful to let go of, the pictures you stack to split up, the wedding invitations you set aside for the kids, the bags and boxes of life moved through that you haul to the curb. It's all there for the viewing, all of the miles and years of hopeful emotions that you relive in each pile, your heart too soft for this work of winnowing what's worth keeping and what's worth leaving behind.

Flying

For Lara, who has taught me so much about the wheel and for Sharleen, who is that determined kid who will get it.

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Round and round, death defying pace, toes scraping trenches into hardscrabble earth, someone jumps off and grabs the rust-flecked metal and starts running again, propelling the welded frame around its axis faster and faster. Sweaty, grubby hands just barely hanging on in the Oklahoma heat. Older kids with wide open faces, laughing and smiling. Younger kids clinging with terror in their eyes, trying to be cool. Flicker of kid and kid and kid and kid and kid and that open seat you are aiming for --missed it-- and kid and kid and kid and kid and--jump to it, bump off, land on your ass in the dirt as your friends howl and another kid pops off to pump the merry-go-round faster and faster. Determined, you pace it again ---kid, kid, kid, kid, kid-- bam! lucky enough to get the seat next to the frame so you can pull your skinny self up and onto the smooth-worn wood and lean out and away into the abyss of flying. 

You are not a brave kid, nor have you ever been, but you feel compelled by the sense of freedom that you believe you'll experience when you are on, through the false starts and times you've had to dart back from flinging legs and uneven ground, muster courage, learn about the pace and the rhythm and the movement before stepping back in, running alongside, hoisting yourself on with whatever strength you have, hoping that you can catch the ride before it starts up again at maximum speed. 

Years later when this metaphor comes back to you in the 5am scratching of pen on paper, you wonder what it meant to you to try, to keep at it, to land on the hardpack ground a few times, to risk. Did you even think about it? Probably not. More likely it was the possibility of movement and sound, your vestibular system afire with sensation, the action not singular but communal, your body used to meeting the dirt and the ground with so much more frequency than you would know in your adult years. And a shorter distance to fall. And less jarring.

So it's there again, that seat that flickers in front of you, the one that you know you have moments to seize before it's taken by another. Think not of the smell of metal on your skin and the ache of your wrists from leaning too far forward. Think instead of the hot wind on your face, the thrill in your stomach as you lean into space, of the excited shrieks of the people around you, of flying, of freedom, of joy and the the reward of having taken that leap.

Little That is Noble

My mother's biggest fear was going old and senile, of losing her marbles before her body shut down. She would, from time to time, remark that she wished there was a bottle of that "special Tylenol" in the top of the cupboard, referring to the Tylenol cynaide scandal of the early '80s, just in case she started to slide into dementia. Those jokes were kind of half jokes / half wistful thinking living in a state where any sort of assisted suicide would be seen as punishable to the greatest extent of the law.

My mother, brave and strong and tough as nails, weathered some of the greatest heartaches life had to dole out, the final coup being a diagnosis of stage IV lung cancer one week shy of her retirement. She dug in, for us, and tried to stave off the cancer that would inevitably kill her. She tried, beyond probably her own desires, to stick around as long as possible.

And the end was a shitty one. The entire process, honestly, was a shitty one of doctor's appointments and side effects and loss and not knowing, really, when to say "when". She did it for us, true to her form of putting her own desires last, loving the people who needed the comfort of a few more months or days more than her own need for peace.

We talked through the "special Tylenol" options, downloading Final Exit only to discover that the options were to put her physician friends in professional peril or die of suffocation, her worst nightmare. I remember sitting on the ottoman of the big chair where she spent most of her time, walking through the options with my sisters, her shaking her head at each one. That was about the time when we decided hospice was the best option and things went downhill on icy skates.

In my mind, there is little that is noble about the way we treat the dying in this country. There is little noble about asking someone to suffer a horrible end or to be drugged nearly unconscious until her/his body fails. There is always the question of when to say goodbye, because there is always false hope. There is always the question of what to do, how to be, what to say, who to involve. I brought David and Ava in to say goodbye to my mother in the final days of her life. Ava clung to her father's neck crying "That's not my grandma! That's not my grandma!" while David buried his head in my waist. I don't know that I can forgive myself for that failure as a parent, for giving them that fearful last look at someone who loved them so deeply, who was hilarious and full of energy and love all of their lives. Instead, my mother was a shadow of herself, incoherent and frightening. 

What a beautiful thing it would have been to have had her pass on her own terms, our small family with her, her having said her goodbyes in her own way. She could have kissed and hugged all of her grandchildren, she could have had a final drink with her sons in law, she could have given each of us girls a special kiss on the cheek and held our hands as she did in quiet moments. Yes, that night would have been one of the hardest in all of our lives, but she would have gone out strong. She would have been herself. For those of you who knew my mom, you know what I am talking about. On her own terms, just like she lived her life.

I watched this video from this beautiful young woman who is now living in Oregon so she can end her life with dignity, vibrant and true. People faced with a terminal illness want and deserve a choice in the matter of how they live out their final days. I can't say this much better than it's described in the video, but I honor her choice as it may some day be my own. 

Memory Kit

Gran's mushrooms cooking in butter

Mom's scent
The feel of a cheek on my cheek that lingers after a hug goodbye

My mind has been on this idea that Andy Warhol had about his cabinet of scents. He'd wear a scent for three months, then force himself to stop wearing it and would put it away in a special cabinet so when he smelled it again, he would remember things that happened in that three month period of time.

A little body warm and curled to mine

The view of Seattle coming over I-5 in the breaking light

Hunter waiving goodbye, basketball tucked under his arm

Three months. I can't imagine even being able to pinpoint things in such a short period of time. Another thing I've been pondering is this idea of memory, particularly sensorial memory and how it fades over time and what could be done to keep it. Smells, skinfeels, tastes, visual snapshots. Like the movie "Eternal Sunshine of the Spotless Mind" but collapsed into a life museum where you could sit and visit. It would be a blessing and a curse, something that would keep you so mired in the past, like an addict almost. This may be why memory fades, because our heart and mind cannot bear the rawness of the feelings that we experience in those moments. Or, perhaps, constant access to those moments would tend to erode the impact of the feeling of these experiences when they come upon us suddenly. On one end, it's a soft blanket. On the other, it's a meth addiction. You could have your own little kit of memories, a set up that would put you under, just for a minute.

The smell of scotch and water

The feel of Ava's warm, newly born body on my chest

Dew-kissed sunrise over rust-colored earth

And then there's the difference between the memory as it was and the memory as you remember it. Which would you want, if there was a difference? Would you include shitty memories like the vomity smell of saline that they used to clear your port or the smell of incense that made you nauseous at your brother's funeral? 

I think you would have to lock these away too, happen upon them from time to time like the disgusting buttered popcorn jelly bellies that sneak into your handful of yumminess. Then the kit becomes real, a record that reminds you that life is not meant to be lived in perfection, that you survive and make it through. Triggers, these are all triggers and for some it would be a nightmare while others it would help them heal and thrive. 

What memories would I put in my kit if I only had 25 spaces to fill? 10? 5? What experiences would I carry with me? What is essential to what has made me? What is worth remembering and what is worth letting go?