Showing posts with label facing what comes. Show all posts
Showing posts with label facing what comes. Show all posts

Tuesday, October 8, 2019

River

(For Noadiah, whose wisdom is gold)
Been traveling these wide roads for so long
My heart's been far from you
Ten-thousand miles gone
Oh, I wanna come near and give ya
Every part of me
But there's blood on my hands
And my lips aren't clean
In my darkness I remember
Momma's words reoccur to me
"Surrender to the good Lord
And he'll wipe your slate clean"
Take me to your river
I wanna go
Oh, go on
Take me to your river
I wanna know  --River, Leon Bridges.

Lines across the page, pen and paint dipping back and forth to ferry color in bits, I sat letting my mind wander through so many things while listening to Leon Bridges' song River on repeat. It's been a grey day full of that thrust that wants to keep things moving forward, reaching, but the tug of the grey is strong and the deep soul of this song will not let my mind rest. I've been thinking about the river all day, about friends who will observe Yom Kippur tomorrow, about the cleansing and healing power of gathering up shame and guilt and attendant sadness and casting it upon the water so it can fan out and away. Tonight over dinner, friends and I were talking about the ritual of bread taking in the quality of those emotions and, in turn, nourishing the aquatic life beneath, the movement of that energy from harmful to nutritive. There is a surrender to the water, be it nightly as I shower or sitting beside the ocean listening to her crash and call. My nightly showering ritual started in a ramshackle college dorm in Rome, Italy where I was living for the summer, two short months after Hunter died. My grief was unmanageable and unmooring, stuffed down by copious wine and a distancing from myself that had gone into overdrive with my dad's death four years before. Nightly showering was a way to strip off the day before I crawled into the twin bed in my lonely room and let tears stream into my ears while I stared at the ceiling. So many years later and in the weeks before I got married, I stood on the shore of Whidby Island and held hands with my girlfriends as they all wished their peace for me before I threw myself into the water of the Sound. I wanted that water to wash me anew, a clearing between what was and what would be. Tonight in the shower I was thinking how beautiful it would feel to be baptized now, at this age, not so much into the realm of the church, but into the light of joy. To receive the intention, to be held and plunged back, to come up for air in the shattered sunlight, cleansed. There is something I crave about that feeling. Perhaps it's surrender. My chest draws toward it. My heart has a need.
Listening to Leon Bridges reminds me that we are most resistant to coming to peace when we feel our most unworthy, when we have blood on our hands and our lips aren't clean. We want to put the pain down, to let the sins and feelings flow away but we feel too broken to ask. And this is precisely why these rituals exist, to allow us to release the shame and the shit and the static that keeps us from one another and from moving forward in our lives. My friend Noadiah told me that his beloved minister once said "Prayers aren't being answered? Well, who are you still mad at?" When he said this, a face lept to my mind as clear as day, boom. There are others, but this is the mad that is sticking the Universe in a loop for me. And it's my own atonement to do, not because I have wronged this person, but because I have wronged myself in holding on to so much anger. 
It's humbling and messy and I'm making my list of things I want to think through as I walk to sit by the water and be present to this idea of giving some of this a rest.
Join me.

Friday, November 18, 2016

Into the Waves


White Water was a huge water park in Oklahoma City, a place where legions of children, dressed in all manner of swim and floating gear, and adults, tugging large coolers of processed food and Capri Sun, would convene to escape the boiling summer heat. Our family would make the 40 mile trek to OKC to spend hours running wild, season passes clutched in hand, so exhausted by the end of the day that my mother would have the sweet relief of a carful of sleeping children on the ride home.

White Water had all of the features of a regular water park: the lazy river, the stories-high White Lightening slide, the kiosks where you could get sizzling hot french fries that rested salty against your chlorine-soaked tongue. But the strangest and sometimes most wonderful part of the park was the wave pool. It was enormous, hundreds of people packed into it's football-field like expanse just waiting, waiting. Suddenly the bell would ring, a scream would erupt from the crowd and the water would start moving, great undulations of waves roiling from deep within its man-made ocean.

I've been thinking about the wave pool lately as it applies to life, this wave pool in particular because unlike the ocean, there was a certain rhythm to the waves. You could sit atop of your raft and ride, or stand closer to shore and slam your body, back turned, against them. And there was that middle ground where you weren't quite tall enough to touch the bottom without the waves washing over your head. This was the thrilling, sometimes terrifying space, that space in between feeling solid and feeling the rush of danger. And, depending on the day, depending on how crowded the wave pool was, depending on the strength of your skinny legs to buoy you up, you sat on the edge of being plowed under or keeping your head above water. The rhythm of the waves had not changed, neither had your expectation of them being there, but the circumstances and your place in them became the variables of remaining above or being sucked below.

I've held this metaphor in my mind a lot lately, as friends have struggled with some pretty deep loss and sadness over the past year, as I myself negotiate my own place in the world, as we as a community lean in to lift one another up when we aren't feeling so strong. I think sometimes it's awkward to ask for help, that metaphor of being in a situation where you know that the waves are coming, but you just don't have the strength in the moment to kick yourself above them, or where how hard and disorienting it may be when everyone else seems to sit atop the water on their own raft while you can barely keep your head clearing the water's roiling plane. And, to extend the metaphor, the folks sitting atop the rafts likely don't even know you are struggling, because their gaze is shifted outwards toward the horizon, their perspective raised above what is happening below. But there is room on the raft for two, maybe three even. I know this, and I know the hospitality of that space if I just ask. Why is it sometimes so hard to do so?

I want to keep working with the raft metaphor, or to talk about the strength of pushing off of the bottom and riding the wave, that powerful feeling of not so much the wave striking your body, but the ride of catching it as it comes and not being swept under by it. To push up and engage, the timing of it coming and you being ready, the sheer thrill of knowing that something can drag you under but using your energy, your life force, to meet it and unify, to roll into it and wait for the next one.

Because the truth is that the waves stop until they start again, and they do start again because life is not static and change happens and shit happens and hard things happen all the time. But the key is this: you are not alone in the pool, although you feel that you may be, and your position in the pool is based on your own negotiation. That's the thing I need to remember most. I choose how I work with the waves.

Monday, April 25, 2016

Light, the white walls, small girl, worry.

Curled around my girl, light streaming through the window, I thought about that forever of not being whole. What would it feel like to have a partner missing a favorite body part? Forever? Forever is a long time. Even if I loved this person, would I be able to hurdle that? And what does love have to do with desire anyway? Does it make it easier to put it away, that need? Who can I call and talk to about this worry? I flip through my mental rolodex of friends, sorting through and through. My BC tribe are all too close to this, my nonBC tribe can't really understand in the same vein, my male friends I am worried will tell me the truth: that it's too much to think about, that I need to just roll with it and quit the worry, that this is today and tomorrow is something entirely new.

Facebook reminds me today that five years ago this week, I had my mastectomy and that four years ago I was rushed into surgery to correct the correction that came from two surgeries before. My brain sensed it even before I saw the digital proof.

That forever of not being whole, that forever of wholly being, that being of forever. What will that being be?

Wednesday, January 6, 2016

Then and Now

What I remember most is how long it took to type out, hunched over my mother's electric typewriter out in the barn-made-office where our oil company was housed. The song had nearly 68 lines and I was not first in class in typing. And it really made no sense as to why I'd picked this song over other that were his favorites, other than I could see my father singing it and doing a hilarious dance to its jaunty klezmer Broadway tune, as I typed the lines. 
My dad, big as life, funny, irreverent, was gone. Something in the words, in the practice of transcribing them, brought something concrete to the chaos. I handed the note to my mother, folded up, and asked her to put it in the coffin with him. As odd of a request as it was, I know she understood.
The strange things we are called and compelled to do is how we make sense of things, I've learned this in the nearly 28 years since that piece of paper was slipped into his blue ultrasuede jacket, as easily as his casket was slipped into the marble floor that day. Today I have my own "burn box," held on the shelf of my home, filled with the most select group of emails, letters, poems, writings that I want to take with me as I return to ash. Everything in my burn box holds the deepest meaning for me, each piece given to me by loves of my life in moments that will forever be etched on my heart. I want to ensure, for myself, that I can carry this love into my future lifetimes, not an immolated gift for the gods, but love that is deeply entwined with my very essence, encased in my forever, wherever that may be. 
A year ago, I posted the following poem to my Facebook page, no doubt touched by the funny synergy of Leonard Cohen's act. Today we bury a friend, she, herself like my father, far too young and vibrant to be gone. I'd ferry her off with champagne if I could, and a picture of her sweet boy and the man who has been her lifelong backstop, and the best memories, painstakingly typed, all of those who will be here today for them and for her. What we take with us matters, what others give us for the journey, this side and the next, makes the most of life.

Ghosts on the Road
-David Rivard
A bookkeeping man,
tho one sure to knock on wood,
and mostly light
at loose ends—my friend
who is superstitiously funny, & always
sarcastic—save once,
after I’d told him
about Simone’s first time
walking—a toddler,
almost alone, she’d
gripped her sweater, right hand
clutched
chest-high, reassured
then, she held on to herself
so, so took a few
quick steps—
oh, he said, you know what? Leonard
Cohen, when he was 13,
after his father’s
out-of-the-blue heart attack, he slit
one of the old man’s
ties, & slipped a
message into it, then buried it
in his backyard—
73 now, he can’t
recall what he wrote—(threadbare
heartfelt prayer perhaps,
or complaint)—
his first writing anyway.
The need to comfort
ourselves is always
strongest at the start,
they say—
do you think
that’s true? my friend asked.
I don’t, he said,
I think the need
gets stronger, he said, it
just gets stronger.

Sunday, November 1, 2015

Of Armor and Amulets

For Timothy, who has me thinking about all of these things
*************************************************************************

Most days, my hands roam over my jewelry box, seeking the pieces I am drawn to for the interaction of energy and effect. My dad's belt and buckle, my grandmother's amethyst ring, my daughter's handmade bracelet: I used to think of dressing this way as my armor, a way to steel myself to meet something rough.

I remember so clearly the act of dressing for court, the last act of a painful and gut-wrenching divorce that dumped me out onto those hard wooden benches raw and bruised. That day, I dressed in my typical black, fortified by my grandmother's gold bracelet on my wrist, my father's chain a protective amulet underneath. My lawyer leaned over to whisper that my makeup was flawless. It was all intentional, every bit, a way to end things with as much care and attention to how I'd begun.

But today, sitting in church on All-Soul's day, I realize these pieces I wear are less armor than talismans, ways for me to feel connection and strength from those I love. A symbol of authenticity from a dear friend at my neck reminds me everyday to have courage to be true not only to myself, but to all of those I come into contact with, my grandmother's amethyst reminds me of her gentle nature, of her kindness, her empathy, her compassion.

I've been thinking about kindness and compassion a lot lately, about the fragility of openness and intimacy, and the difference between intimacy and vulnerability and that warm space in between. A couple of months ago, my lovely therapist Marilyn and I were talking about what it feels like to be open to giving of yourself, only to be hurt in the process. "You don't get to have it both ways, Fran," she admonished me. "You can either be free with the deep intimacy that you are able to offer people --which is one of the greatest gifts you have--but you can't be hurt when people take what they need and go. You either offer yourself freely, without expectation, or you build expectation in and limit who you share yourself with. You can't have it both ways." Her words have struck with me, playing over and back in my mind in the past few days as I'm pondering that blending of intimacy and vulnerability that sits atop my personal foundation of authenticity, courage and self-worth that are inked upon my spirit.

It's too easy to wall off, close the vault and shell up, climb back in a the first sign of ouch. But that serves nobody and it certainly doesn't serve my own purpose as the person I am in the world. Most of us are messy, most of us are feeling around in the dark for a light switch, most of us are feeling like we are failing at something important in our lives. So every day we armor up and go out into the world, not sharing our deepest gifts with others in ways that would help to serve and heal not only ourselves, but also those that are treading water just the same.

What if, instead, we turned to our talismans, to our guides, to hold precious things close to us to remind us of who we are, to lean against each other when we stumble in the present, to live it less afraid and more honestly and with truth and trust. There is a vast difference between being defensive and being fortified, between being armored and being available, between keeping ourselves from the real likelihood of disappointment and instead learning to navigate when situations present us with choices on how to meet things head on, to talk them through, to care, to forgive and to heal. And to be so thankful for the choice.  

Thursday, October 15, 2015

Love makes space for everyone’s happiness.

This is a piece I wrote during my #lentinseptember days.
****************************************************************************************************

I have struggled immensely over the years to come to terms with my mother’s decision not to marry again after my dad died. She not only didn’t remarry, but also didn’t date anyone. For years when I was a child, I thought this was because she loved my father so much that she couldn’t bring herself to be with someone else, that this was the essence of true and abiding love, a love that I should search for as an adult. As I grew older, I began to understand how complex having your partner die can be. I think my mother was afraid to extend herself again, afraid of losing someone again (as her mother had), afraid of rejection, afraid of what life like might be like on the other side of this immense fear. And, in addition to this incapacitating fear (and this has been true for my two friends who have been widowed), some people would not let my father die. People shared their condolences on an annual basis, remembered the anniversary of his death, sent her cards on his birthday. She was, in their minds, married to my father forever and therefore, in some small way, in her mind she was beholden to that narrative. My best friend brought this home for me when she told me about her own experience of having to leave friendships because all her friends ever wanted to talk about was her husband and how much they missed him and wished he were there. She had ceased to be a young and vibrant spirit in their eyes and was, instead, the memory of husband she’d lost. I think this, in some ways, is because people want to believe in endless love, true love, love that lasts a lifetime and beyond. That they themselves are worthy of that undying love, that they themselves may be loved in that way.
And, in reality, that love may exist and it may never die, but that does not mean that life does not move forward into different narratives. Nothing replaces that love, but beauty and vibrancy and life get added in the form of new love. It is impossible to unlearn anything in our brain, we only add new learning and experiences to it. And so goes our heart.
I remember when my friend and I sat at the coffee shop in those fragile days after her husband’s funeral, discussing what life was like now and what her future may hold. “What if I wanted to be buried with him and I get married to someone else?” she said, her tiny, grief-wasted frame leaning across the table. “What if he was my one true love? How will that next person feel?” I remember telling her that I thought this was a normal part of grief, and that her life and the end of her story were hers to write, and that story included resting with whomever she wanted to rest with, that the next man in her life would understand. People who love you have a wide berth of forgiveness of emotion, nostalgia. They understand love and loss, or they do if you’ve attracted the right human. They take what has happened as part of your living story and love all parts of you. 
From my own experience, I know there is a tremendous weight on a child whose parent does not move forward in her/his life. It creates unrealistic expectations of love and commitment that likely will be unmatched with her/his future partners. It also makes that child feel guilty at the sacrifice that the parent offered, should that child feel less compelled to be so completely self-sacrificing as a parent his or herself. In some ways, it’s a perpetuation of guilt and shame. My mom sacrificed so much by doing X, I should be able to... It’s always felt hard and raw and not reciprocal to me. It feels like too much that’s been given, a sacrifice too great. It’s fear and avoidance and nakedness cloaked in love, but it’s not love alone. Love makes space for everyone’s happiness.

Tuesday, August 25, 2015

With the same vulnerable yet rigorous love

My mom would be chuckling right now, as I write yet another post on death and funerals and loss. When her own mother died, it was weeks and weeks of morose and moribund sermons from the pulpit that nearly drove her as crazy as the Oklahoma winds. But here we are go again. I am not sure what in the hell is going on in the universe, but it's been a shitty week for too many friends.

*****************************************************************************
For my dear L.T. Love you.
 
I have an image of my mother and her sister outside of the church in Beloit, Kansas, wrapped against the cold wind in fur coats, clutching each other as they followed their mother's casket down the path and into the hearse. They were both sobbing, their handsome, strong beauty crumpled from weeks of grief and pushing against the inevitable that a late-stage lung cancer diagnosis for a vibrant and remarkable woman brings. I don't remember much but that intimate moment, my grandmother's legacy stitched up in the space held by that embrace.

I can imagine that my mom felt the same push and pull that I did in those final days of my mother's own life, the real-time grief nearly impossible to process, the guilt-ridden wishing that this part would be over so that she would be free and so that we could move on to mourning her given that she already was a shadow of herself. The hardest thing to process was that she was never going to go back to the way she was, that it was reality, that it was over. And that's what we all mourned in real time, that space of anger and sad, that glimmer of her old self in between the days of losing her moment upon moment. The winding down was hard,  unfamiliar, not sudden like it had been with nearly every one before. And the winding down was slow and then fast and then too slow in its fastness, which doesn't likely make sense unless you've lived through that interminable time of ending.

There are a million things I want to tell my friend tonight, my girl L.T. who texted me in the wee NYC hours to tell me that she had just today lost her mother, an extraordinary woman with fire and depth and sparking adventure and deep love and good strength, so much good strength, for her family. 

I want to tell her of the things that I learned from Marie Howe about the spaces that are made by loss in which I learned about myself, so many years after she had gone: 
     I had no idea that the gate I would step through
     to finally enter this world
     would be the space my [mother's] body made.

And how I wish now that I had written a jar full of memories to keep for myself, a scrap for each, that I could pluck out and savor, some fit for my kids, many only fit for the curious adults within belly-laughing distance. And that I wish I had recorded those stories told in the numb days after when we all walked around with dead eyes, tracing the thin, worn path we had too many times before, knowing that it would be five days before the smoke cleared and we could begin to see what damage had been done.

And that in the blackened landscape, shoots peek through and life comes back to itself.
And that letting those shoots grow is important. Really important. Live.
And that good music helps. Often on repeat.
And saving that thing that smells like her in the back of the closet. That's the best. Do it.

And how five years, five years after she left, I can still be knocked nearly breathless by a poem from May Sarton that comes across my desktop without warning, kismet in far too many ways:

An Observation
True gardeners cannot bear a glove
Between the sure touch and the tender root,
Must let their hands grow knotted as they move
With a rough sensitivity about
Under the earth, between the rock and shoot,
Never to bruise or wound the hidden fruit.
And so I watched my mother's hands grow scarred,
She who could heal the wounded plant or friend
With the same vulnerable yet rigorous love;
I minded once to see her beauty gnarled,
But now her truth is given me to live,
As I learn for myself we must be hard
To move among the tender with an open hand,
And to stay sensitive up to the end
Pay with some toughness for a gentle world.


So, sweet friend, so many things and nothing all at once. I wish there was more space to tell you right now, right in this time where everything and nothing is there. It's too much, all of it, and there is so much more to write.

Love you, L.T. 



Sunday, June 28, 2015

Distance (Part II)

For T. L. and K. R. especially.

***************************************************************************

It hits you when you open boxes, digging through things that have meaning so essential to who you are and where you have been: letters of kindness from past lovers mixed in with transcripts from years of college where you didn’t give a fuck; paintings that hung in your grandmother’s home that your small-person’s eyes thought were magical; the honest and intentional letter your now ex-husband wrote as homework for the last hopeful stint of marital therapy that you wish you could unpack a little more now; the heartfelt cards your kids made on your last day of chemo that tell their own story of worry; your mother’s St. Gerard prayer card that hung on her bathroom mirror every day of her journey of motherhood.

You are thousands of miles from many of these experiences; time and physical distance and a long journey of letting muddy water settle into clear has brought you to a new space in a city full of its own personal mark on your life, in a beautiful new home that already feels like the right space for your spirit. And these things make you think of a metaphor that your mentor gave you years ago when you worked in a domestic violence organization. She said “The thing is, Fran, that when you are in the middle of something traumatic, hard, unavoidable in life it’s like you are in a house on fire and you are nattering around trying to decide what to carry out with you. You’re thinking ‘Should I take Auntie Harryette’s doily? Or what about these twist-ties? Where is my juicer?’, all while the house is burning around you until someone finally pulls you out of the house and sits you on the curb across the street. It’s only then, wrapped in a blanket and with the oxygen mask on your face do you realize how things were and how, by anyone's measure, you could have not survived it all, but by the grace of whatever moves things* and people who helped you out, you did.”

Today you are sitting in your new home, in the grey sunlight shifting through the windows of your new favorite spot, listening to the songs friends gave you for the journey here. And you are sifting through these many years of so many things, so much loss, so much love, so many good people that have put their arm around you and guided you to a safer place. And it’s this distance, close enough to remember but far away enough to have perspective on, that allows you to feel the full force of gratitude, of loss, of appreciation, of duty, of remaking, of love and to sit weeping at the weight of it all and in appreciation of the opening that has happened in your life that means the next chapter. That it’s not sifting through the ashes to find what is left, but rather the blessing of the spaces and people that were and are no more, to ritualize the memory and to move forward powerfully, happily, with courage, without anger and into a new life of your own creating. And you are so thankful at this moment for this moment. And you are so acutely aware of friends who need that arm around their shoulders to get them out of their own burning houses. And that’s what it’s all about, this remaking of love and kindredness, of your people, of accepting and receiving love when you can't see what you need but just trusting that others can help guide you. And realizing the path was the path in just the way it had to be.** 

It’s beautiful and hopeful and quite different than anything you've ever felt in your entire life. And you are grateful beyond measure, your heart welling and brimming in its fullness. Amen.




*Jan probably said “God” here, but my father always said never ruin a good story for lack of facts.
**I also remember so vividly a FB post from my friend Lee which recalled a moment when she was lying on her bed so ensconced in emotion and feeling that all of the shit she'd been through had been worth it. I think this feeling is similar. I have held on to that post for so long, Lee, and wish I had the exact quote. Thank you for giving life to it.

Thursday, April 9, 2015

Raising successful children

There is an inordinate amount of time spent at indoor soccer. Inordinate meaning days every week for watching practice or scrimmage-like games, days where you see the same kids playing pretty consistently. My kids enjoy soccer, but they are not the kind of players that are hungry for the ball, first across the line, driven by some inner force that zips them up the field. Nor am I the kind of parent that coaches (at least not all of the time) from the sideline, calling to their kid when they are standing at midfield to give them pointers or tell them how to run plays. Those are the achievement-oriented parents who are gunners themselves and have gunner kids...or don't. I've always wondered that. What's it like to be a non-gunner kid of a gunner parent?

And there is also a little something in me that wonders if the decision we made not to be pressure-focused and achievement-forward parents has meant that my kids step back a little too much, are less driven than they probably could/should be, less likely to get into the college of their dreams, less likely to be superstars who have climbed mountains and made a perfect grade on their SAT and started their own magazine by the time they are 12. It's also a privileged position that my kids don't have to think about these things the way other children do. I think about this a lot and I wonder, as most parents do, if we are doing the right thing not manning up our boy or perfecting our girl, if the lack of nightly math homework will really screw them in the end.

And then I have a day like the other day where I am driving down the road with my precious cargo when the topic of change comes up: big changes, small changes, god knows we've had our fill. D says "Well, this year I have been through A LOT of change." I smile, thinking "no doubt, dude", but I ask him what he means and the conversation goes something like this:

D:  Well, this year I have been through A LOT of change, Mom.
M:  Like what, bro? What kind of change are you thinking about?
D:  Um, Mom? BRACES?
M: Braces?
D: Yeah mom, BRACES. It's like the biggest thing that's ever happened to me. It's huge!
M: Well, it is, D. Your parents also got divorced and don't live together anymore and we are all moving to Rhode Island in a few months, but I hear you on the braces.
D: Well, the divorce was ok, though. I mean, I know it's hard for a lot of kids, but it has not been a big deal because you and Dad did such a good job with it. I meant to say that to you the other day. I just don't know what the big deal is about divorce.
M: (totally misty). Well, it is a big deal to a lot of kids, D, I'm glad you recognize that. And I'm glad you feel confident about how your dad and I have worked things out. I love you, Buddy. You're the best.
D: Thanks, Mom. (big smile, squeeze on shoulder)

It's those moments where I think that it's all going to be ok, that we are raising some emotionally kick ass kids who think a lot about things, whose strengths lie mostly in the way they relate to others, whose lives are held tight by people that love them, many of whom do not live under the same roof.

I'll always be worried about the path, in so many ways different than the one that I was given as a child. I'll always be worried that I haven't done the right thing as a parent, that love is not enough, that my kids will look back and wonder why I didn't push them harder or expect them to achieve more. I suspect they will, in any condition, know that I loved them, more than anything in the world. And their 43 year old selves will continue to feel that, whatever path in life they choose.


Tuesday, April 7, 2015

Aloft

For a long time I have had a recurring scene pass in front of my eyes, a flickering black and white clip of a man with artificial wings affixed to his arms, running dead set for the edge of a cliff. He runs, flapping like hell, only to pull up short just feet from the edge, not trusting his homemade contraption to hold him against gravity.
He is Icarus, Daedalus' son, anxious against the bright sunlight, worried about his own weight on the wings, worried moreso about his undescribed and hidden desire to fly to the highest heights with abandon.  What that will mean and what that will make, his desire to fly is thwarted by last minute doubt and worry.
But tonight, Joseph Campbell's recording of ancient wisdom rang true:
“A bit of advice
given to a young Native American
at the time of his initiation:
'As you go the way of life,
you will see a great chasm.
Jump.
It is not as wide as you think.' "
--from A Joseph Campbell Companion: Reflections on the Art of Living

Today I bought a house, cementing my decision to move to a city long considered a future home, under different conditions and for different reasons, but an idea set in motion long ago. And I'm here, now, and happy and excited, this bittersweet taste in my mouth not crowding out my delight at new discoveries, but also not salving pretty profound feelings of loss and change.
It's like coming back to something and knowing it for the first time, like T.S. Eliot talked about, but not really. It's holding the space of what was with the space of what might be. It's being unsure about how to marry what has already happened (the people you love(d), things you've experience(d)) with an unchartered course.
My girl, Bridget (who is truly a gifted spiritual advisor) noted that this is a time to accept & be, explaining that if things could be different, they would be. And so I move forward, buying a house on a familiar street under radically different circumstances, celebrating a new life in environments that hold many memories, stitching together what is new and old without being totally clear on the design that will unfold. More crazy quilt than the careful block pattern that has governed the stitching of my life for so many years. Stepping into it, breath deep in my lungs, stomach tight, arms strengthened and ready to hold these heavy wings aloft, trusting in my own ingenuity, ready to take flight. 
Light as air, it's not as wide as you think.


Sunday, February 8, 2015

Winnowing


Somehow this is not how you envisioned it, midday grey skies coaxing through the windows that you notice are in need of polishing before the people come to look at what is there. You envisioned bourbon in glasses and smoke and arms fisted up into clenched hands wrestling over who gets what. But it's not that. It's a Monday and you are starting with the bigger things when your partner of so many years lays it out for you. There isn't a lot there, honestly. Extracting the family pieces that you've either dragged with you or recently dragged in, there's not a lot there worth keeping. Old mattress 10 years on that may need replacing (that saw both of your children home), bunk beds the kids no longer want, too many items from IKEA to warrant a move across half of the nation. Save a few pieces of furniture, all of the accumulated knick knacks and a heavy lift in the kitchen, glassware and dishes, there simply is not much there. Easier to pitch it, give it away, parse it out and buy anew than to spend what it would take to bring it along.

You are not ready for the gut-punch that this brings, the sudden thought of this person you've been with for so long starting a life with barely a trace of his old, your history's imprint erased from the smooth arms of the chair, wiped clean off of the glasses, not nuanced in the myriad of future choices he would make about his accommodated life. But it's not the you being erased that is the gut-punch, it's the history, it's the together, the starting over and moving on.

And for the next few hours, you ruminate over what investment means in a marriage. What not having a lot in common to divide up means. You want to lift this metaphor into the narrative of your marriage, to use it as a tool to make your case. It's proof, you think, because the bigger truth is your heart is sore, because accumulating/not accumulating objects feels like it should mean something, because after 14 years you expected more to be there, because you can't quite erase the image of your partner's back entering a home, not your home, to start anew.

You would be foolish to leave your thinking there, so you don't. You remember hours in the garden, great meals in the kitchen, small people at soccer games and school board meetings and graduate school. You remember moving and packing and unpacking and fishing trips and the long stretch of time that this house you are leaving has afforded you during beautiful summer weather and magnificent fall leaves.  Fourteen years, not measured in big things you bought, slippery to hold onto save for the two bright and amazing beings the world will delight to receive someday. Slippery to hold on to save the small objects from faraway places that you hope his future partner won't ask to remove, the pieces that were too beautiful to let go of, the pictures you stack to split up, the wedding invitations you set aside for the kids, the bags and boxes of life moved through that you haul to the curb. It's all there for the viewing, all of the miles and years of hopeful emotions that you relive in each pile, your heart too soft for this work of winnowing what's worth keeping and what's worth leaving behind.





Wednesday, November 26, 2014

On Letting Go


The couch was a good place, close enough that I could hear what was going on in my mother's room, far enough away to sit or sleep, to think and process, to rattle around in my brain looking for answers. My mother was a few days away from dying. This time was marked by ups and downs in her mental state, her physical body crumbling underneath her as she rested in the hospital bed we'd had brought in a couple of weeks before. She'd be alert one minute and wanting to go out to sit in the sun, the next completely out of it. "She's not ready to let go yet," the short, red-haired night nurse whispered to my sisters and me. I can imagine my mom, at this exact moment of whispering, popping her head up and demanding to know what we were being so secretive about. It was an insane ride, those days.

Although we had had many people die in our lives, this was our first rodeo with terminal illness. My sisters and I would look at each other with the sad and incredulous faces of people who desperately needed the situation at hand to come to a close, while at the same time wanting to roll back time...back, back, back...to a safe space where all of everything just went away.

On one of those nights, and in a desperate attempt to find some help, we downloaded the Tibetan Book of Living and Dying on my ipad, scanning its pages in the semi-dark for a way to help my mom let go, this woman who had weathered so much in her lifetime, who fought and stood strong throughout our lives. It was there that we read a passage that would change our perspective on death and dying, what leaving means. In dying you lose everything you have ever known. You lose the touch of loved ones, the smell of your favorite meal, the soft fur of your beloved animal, the sunshine on your face, your favorite vista. Even if you are religious or ready to die, facing that loss is tremendous and overwhelming in a way that we often don't think about. It's not the not being there, it's the anticipatory longing for the parts that you love but have to leave behind.

My friend and I were talking about the similarities between divorce and death, how losing someone in death is almost easier, that bereavement is different when what you have lost is walking around in the world. And much of this same story line holds true for divorce. You miss your former life even as your new life is emerging: the camaraderie and closeness you once felt with your partner, the regularity of someone's habits, the well-worn teamwork of holiday packing, the gathering of extended family that you love with all your heart. It is stepping away from this certainty, the compilation of so many days, that provokes unexpected stabbiness as you rise from anxious sleep,  haul the bags out to the car, worry that you have forgotten something, check the tickets twice. It's cutting an entirely uncertain path, thrusting yourself in a future you cannot see and don't entirely trust. In leaving you lose everything you have ever known, even if you know in your mind it's the right thing to do, the heart a few paces behind.

Wednesday, October 8, 2014

Little That is Noble


My mother's biggest fear was going old and senile, of losing her marbles before her body shut down. She would, from time to time, remark that she wished there was a bottle of that "special Tylenol" in the top of the cupboard, referring to the Tylenol cynaide scandal of the early '80s, just in case she started to slide into dementia. Those jokes were kind of half jokes / half wistful thinking living in a state where any sort of assisted suicide would be seen as punishable to the greatest extent of the law.

My mother, brave and strong and tough as nails, weathered some of the greatest heartaches life had to dole out, the final coup being a diagnosis of stage IV lung cancer one week shy of her retirement. She dug in, for us, and tried to stave off the cancer that would inevitably kill her. She tried, beyond probably her own desires, to stick around as long as possible.

And the end was a shitty one. The entire process, honestly, was a shitty one of doctor's appointments and side effects and loss and not knowing, really, when to say "when". She did it for us, true to her form of putting her own desires last, loving the people who needed the comfort of a few more months or days more than her own need for peace.

We talked through the "special Tylenol" options, downloading Final Exit only to discover that the options were to put her physician friends in professional peril or die of suffocation, her worst nightmare. I remember sitting on the ottoman of the big chair where she spent most of her time, walking through the options with my sisters, her shaking her head at each one. That was about the time when we decided hospice was the best option and things went downhill on icy skates.

In my mind, there is little that is noble about the way we treat the dying in this country. There is little noble about asking someone to suffer a horrible end or to be drugged nearly unconscious until her/his body fails. There is always the question of when to say goodbye, because there is always false hope. There is always the question of what to do, how to be, what to say, who to involve. I brought David and Ava in to say goodbye to my mother in the final days of her life. Ava clung to her father's neck crying "That's not my grandma! That's not my grandma!" while David buried his head in my waist. I don't know that I can forgive myself for that failure as a parent, for giving them that fearful last look at someone who loved them so deeply, who was hilarious and full of energy and love all of their lives. Instead, my mother was a shadow of herself, incoherent and frightening. 

What a beautiful thing it would have been to have had her pass on her own terms, our small family with her, her having said her goodbyes in her own way. She could have kissed and hugged all of her grandchildren, she could have had a final drink with her sons in law, she could have given each of us girls a special kiss on the cheek and held our hands as she did in quiet moments. Yes, that night would have been one of the hardest in all of our lives, but she would have gone out strong. She would have been herself. For those of you who knew my mom, you know what I am talking about. On her own terms, just like she lived her life.

I watched this video from this beautiful young woman who is now living in Oregon so she can end her life with dignity, vibrant and true. People faced with a terminal illness want and deserve a choice in the matter of how they live out their final days. I can't say this much better than it's described in the video, but I honor her choice as it may some day be my own. 


Sunday, October 5, 2014

Memory Kit

Gran's mushrooms cooking in butter
Mom's scent
The feel of a cheek on my cheek that lingers after a hug goodbye

My mind has been on this idea that Andy Warhol had about his cabinet of scents. He'd wear a scent for three months, then force himself to stop wearing it and would put it away in a special cabinet so when he smelled it again, he would remember things that happened in that three month period of time.

A little body warm and curled to mine
The view of Seattle coming over I-5 in the breaking light
Hunter waiving goodbye, basketball tucked under his arm

Three months. I can't imagine even being able to pinpoint things in such a short period of time. Another thing I've been pondering is this idea of memory, particularly sensorial memory and how it fades over time and what could be done to keep it. Smells, skinfeels, tastes, visual snapshots. Like the movie "Eternal Sunshine of the Spotless Mind" but collapsed into a life museum where you could sit and visit. It would be a blessing and a curse, something that would keep you so mired in the past, like an addict almost. This may be why memory fades, because our heart and mind cannot bear the rawness of the feelings that we experience in those moments. Or, perhaps, constant access to those moments would tend to erode the impact of the feeling of these experiences when they come upon us suddenly. On one end, it's a soft blanket. On the other, it's a meth addiction. You could have your own little kit of memories, a set up that would put you under, just for a minute.

The smell of scotch and water
The feel of Ava's warm, newly born body on my chest
Dew-kissed sunrise over rust-colored earth

And then there's the difference between the memory as it was and the memory as you remember it. Which would you want, if there was a difference? Would you include shitty memories like the vomity smell of saline that they used to clear your port or the smell of incense that made you nauseous at your brother's funeral? 

I think you would have to lock these away too, happen upon them from time to time like the disgusting buttered popcorn jelly bellies that sneak into your handful of yumminess. Then the kit becomes real, a record that reminds you that life is not meant to be lived in perfection, that you survive and make it through. Triggers, these are all triggers and for some it would be a nightmare while others it would help them heal and thrive. 

What memories would I put in my kit if I only had 25 spaces to fill? 10? 5? What experiences would I carry with me? What is essential to what has made me? What is worth remembering and what is worth letting go?